Gertie the Dinosaur in the context of Émile Cohl


Gertie the Dinosaur in the context of Émile Cohl

⭐ Core Definition: Gertie the Dinosaur

Gertie the Dinosaur is an animated short film released in 1914 by American cartoonist and animator Winsor McCay. It is the first animated film to feature a dinosaur. McCay initially presented the film before live audiences as an interactive part of his vaudeville act; the frisky, childlike Gertie performed tricks at her master's command. McCay's employer William Randolph Hearst curtailed his vaudeville activities, prompting McCay to add a live-action introductory sequence to the film for its theatrical release, which was renamed Winsor McCay, the Famous Cartoonist, and Gertie. McCay abandoned a sequel, Gertie on Tour (c. 1921), after producing about a minute of footage.

Although Gertie is popularly thought to be the earliest animated film, McCay had previously made Little Nemo (1911) and How a Mosquito Operates (1912). The American J. Stuart Blackton and the French Émile Cohl had experimented with animation even earlier. Gertie being a character with an appealing personality distinguished McCay's film from these earlier "trick films". Gertie was the first film to employ several animation techniques, like keyframes, registration marks, tracing paper, the Mutoscope action viewer, and animation loops. It influenced the next generation of animators, including the Fleischer brothers, Otto Messmer, Paul Terry, Walter Lantz, and Walt Disney. John Randolph Bray unsuccessfully tried to patent many of McCay's animation techniques. It is said to have been behind a plagiarized version of Gertie that appeared a year or two after the original. Gertie is the best preserved of McCay's films, some of which have been lost or survive only in fragments. In 1991, the U.S. Library of Congress selected the film for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant".

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Gertie the Dinosaur in the context of Winsor McCay

Zenas Winsor McCay (c. 1866–1871 – July 26, 1934) was an American cartoonist and animator. He is best known for the comic strip Little Nemo (1905–1914; 1924–1927) and the animated film Gertie the Dinosaur (1914). For contractual reasons, he worked under the pen name Silas on the comic strip Dream of the Rarebit Fiend.

From a young age, McCay was a quick, prolific, and technically dextrous artist. He started his professional career making posters and performing for dime museums, and in 1898 began illustrating newspapers and magazines. In 1903 he joined the New York Herald, where he created popular comic strips such as Little Sammy Sneeze and Dream of the Rarebit Fiend. In 1905, his signature strip Little Nemo in Slumberland debuted—a fantasy strip in an Art Nouveau style about a young boy and his adventurous dreams. The strip demonstrated McCay's strong graphic sense and mastery of color and linear perspective. McCay experimented with the formal elements of the comic strip page, arranging and sizing panels to increase impact and enhance the narrative. McCay also produced numerous detailed editorial cartoons and was a popular performer of chalk talks on the vaudeville circuit.

View the full Wikipedia page for Winsor McCay
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