Germanic dragon in the context of "Hvergelmir"

Germanic paganism or Germanic religion was the traditional, culturally significant religion of the Germanic peoples. With a chronological range of at least one thousand years in an area covering Scandinavia, the British Isles, modern Germany, the Netherlands, and at times other parts of Europe, the beliefs and practices of Germanic paganism varied. Scholars typically assume some degree of continuity between the beliefs and practices of the Roman era and those found in Norse paganism, as well as between Germanic religion and reconstructed Indo-European religion and post-conversion folklore, though the precise degree and details of this continuity are subjects of debate. Germanic religion was influenced by neighboring cultures, including that of the Celts, the Romans, and, later, by Christianity. Very few sources exist that were written by pagan adherents themselves; instead, most were written by outsiders and can thus present problems for reconstructing authentic Germanic beliefs and practices.

Some basic aspects of Germanic belief can be reconstructed, including the existence of one or more origin myths, the existence of a myth of the end of the world, a general belief in the inhabited world being a "middle-earth", as well as some aspects of belief in fate and the afterlife. The Germanic peoples believed in a multitude of gods, and in other supernatural beings such as jötnar (often glossed as giants), dwarfs, elves, and dragons. Roman-era sources, using Roman names, mention several important male gods, as well as several goddesses such as Nerthus and the matronae. Early medieval sources identify a pantheon consisting of the gods *Wodanaz (Odin), *Thunraz (Thor), *Tiwaz (Tyr), and *Frijjō (Frigg), as well as numerous other gods, many of whom are only attested from Norse sources (see Proto-Germanic folklore).

The final act of the Anglo-Saxon poem Beowulf includes Beowulf's fight with a dragon, the third monster he encounters in the epic. On his return from Heorot, where he killed Grendel and Grendel's mother, Beowulf becomes king of the Geats and rules wisely for fifty years until a slave awakens and angers a dragon by stealing a jeweled cup from its lair. When the angry dragon mercilessly burns the Geats' homes (including Beowulf's) and lands, Beowulf decides to fight and kill the monster personally. He and his thanes climb to the dragon's lair where, upon seeing the beast, the thanes flee in terror, leaving only Wiglaf to battle at Beowulf's side. When the dragon wounds Beowulf fatally, Wiglaf attacks it with his sword, and Beowulf kills it with his dagger.

This depiction indicates the growing importance and stabilization of the modern concept of the dragon within European mythology. Beowulf is the first piece of English literature to present a dragonslayer. Although the Beowulf dragon exhibits many existing motifs common to Germanic tradition, the Beowulf poet was the first to combine features and present a distinctive fire-breathing dragon. The Beowulf dragon was adapted for Middle-earth in J. R. R. Tolkien's The Hobbit (1937), one of the forerunners of modern high fantasy.

In Germanic heroic legend and folklore, Fáfnir, was a dwarf or other type of humanoid, who had shifted into the hamr of a Germanic dragon (a worm, "serpent", in period nomenclature), in order to protect a treasure, and then was slain by a member of the Völsung family, typically Sigurð.

In Nordic mythology, he is the son of Hreiðmarr, and brother of Regin and Ótr. He is attested throughout the Völsung Cycle, where, Fáfnir commits patricide out of greed, taking the ring and hoard of the dwarf Andvari, and shapeshifting into a dragon. Fáfnir's brother Regin later assisted Sigurð in obtaining the sword Gram, by which Fáfnir is killed. Fáfnir has been identified with an unnamed dragon killed by a Völsung in other Germanic works, including Beowulf, the Nibelunglied and a number of skaldic poems. Fáfnir and his killing by Sigurð are further represented in numerous medieval carvings from the British Isles and Scandinavia, and a single axe head in a Scandinavian style found in Russia. The story of Fáfnir has continued to have influence in the modern period, such as in the works of J.R.R Tolkien, who drew inspiration from the tale of Fáfnir in his portrayals of Smaug and Gollum.

In Norse mythology, Andvaranaut (12th c. Old Norse: [ˈɑndˌwɑrɑˌnɔut]), meaning Andvari's Gem ("Andvari's precious possession"), is a magic ring, initially owned by Andvari, that could help with finding sources of gold. Andvaranaut is mainly a cursed treasure, but according to scholars, it forms part of a bigger tradition of objects that are divinely and supernaturally empowered in Norse mythology. Such items held cultural and religious significance and often mediated relationships between gods, dwarves, and heroic figures.

The mischievous god Loki stole Andvari's treasure and the ring. In revenge, Andvari cursed the ring to bring misfortune and destruction to whoever possessed it. Loki quickly gave the cursed Andvaranaut to Hreidmar, King of the Dwarves, as reparation for having inadvertently killed Hreidmar's son, Ótr. Ótr's brother, Fafnir, then murdered Hreidmar and took the ring, turning into a dragon to guard it. Sigurd (Siegfried) later killed Fafnir and gave Andvaranaut to Brynhildr (Brünnehilde). Queen Grimhild of the Nibelungs then manipulated Sigurd and Brynhildr into marrying her children, bringing Andvaranaut's curse into her family.

Smaug (/smaʊɡ/) is a dragon and the main antagonist in J. R. R. Tolkien's 1937 novel The Hobbit, his treasure and the mountain he lives in being the goal of the quest. Powerful and fearsome, he invaded the Dwarf kingdom of Erebor 171 years prior to the events described in the novel. A group of thirteen dwarves mounted a quest to take the kingdom back, aided by the wizard Gandalf and the hobbit Bilbo Baggins. In The Hobbit, Thorin describes Smaug as "a most specially greedy, strong and wicked worm".

Critics have identified close parallels with what they presume are sources of Tolkien's inspiration, including the dragon in Beowulf, who is provoked by the stealing of a precious cup, and the speaking dragon Fafnir, who proposes a betrayal to Sigurd. A further source may be Henry Wadsworth Longfellow's 1855 poem The Song of Hiawatha, where Megissogwon, the spirit of wealth, is protected by an armoured shirt, but whose one weak spot is revealed by a talking bird. Commentators have noted Smaug's devious, vain, and proud character, and his aggressively polite way of speaking, like the British upper class.

A magic ring is a mythical, folkloric or fictional piece of jewelry, usually a finger ring, that is purported to have supernatural properties or powers. It appears frequently in fantasy and fairy tales. Magic rings are found in the folklore of every country where rings are worn. Some magic rings can endow the wearer with a variety of abilities including invisibility and immortality. Others can grant wishes or spells such as neverending love and happiness. Sometimes, magic rings can be cursed, as in the mythical ring that was recovered by Sigurð from the hoard of the worm Fáfnir in Norse mythology or the fictional ring that features in The Lord of the Rings. More often, however, they are featured as forces for good, or as a neutral tool whose ethical status in the narrative derives from the character that uses it.

A finger ring is a convenient choice for a magic item: It is ornamental, distinctive and often unique, a commonly worn item, of a shape that is often endowed with mystical properties (circular), can carry an enchanted stone, and is usually worn on a finger, which can be easily pointed at a target.

Nidhogg (Old Norse: Níðhǫggr, [ˈniːðˌhɔɡːz̠]; Modern Icelandic: Níðhöggur; Norwegian: Nidhogg; Danish: Nidhug; Swedish: Nidhugg) is a Germanic dragon in Norse mythology who is said to gnaw at the roots of the world tree, Yggdrasil, and is likewise associated with the dead in Hel and Niflheim.