Germania (painting) in the context of German Empire (1848–1849)


Germania (painting) in the context of German Empire (1848–1849)

⭐ Core Definition: Germania (painting)

Germania is the name of a painting that was probably created in March 1848. It hung in the St. Paul's Church (Paulskirche) in Frankfurt, Germany. At that time, first the so-called Pre-Parliament and then the Frankfurt National Assembly, the first all-German parliament, met there. The National Assembly was a popular motif of the time, so the Germania painting also became very well-known. After the National Assembly was violently terminated in May 1849, the painting was taken down. In 1867 it was moved to the German National Museum in Nuremberg.

The painting is one of the best-known representations of Germania, a woman who stands for Germany. Such a national allegory also exists in other countries. The motif was often taken up during the time of the emerging German Empire 1848/1849 and later.

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Germania (painting) in the context of Polonia (personification)

Polonia, the name for Poland in Latin and many Romance and other languages, is most often used in modern Polish to refer to the Polish diaspora. However, as can be seen from the image, it was also used as a national personification.

The symbolic depiction of a country as a woman called by the Latin name of that country was common in the 19th century (see Germania, Britannia, Hibernia, Helvetia).

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Germania (painting) in the context of Philipp Veit

Philipp Veit (13 February 1793 – 18 December 1877) was a German Romantic painter and one of the main exponents of the Nazarene movement. It is to Veit that the credit of having been the first to revive the nearly forgotten technique of fresco painting is due.

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