Lion of Saint Mark in the context of "Mark the Evangelist"

⭐ In the context of Mark the Evangelist, the Lion of Saint Mark is considered…

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⭐ Core Definition: Lion of Saint Mark

The Lion of Saint Mark, representing Mark the Evangelist, pictured in the form of a winged lion, is an aspect of the Tetramorph. On the pinnacle of St Mark's Cathedral he is depicted as holding a Bible, and surmounting a golden lion which is the symbol of the city of Venice and formerly of the Venetian Republic.

It is also found in the symbol of the Greek Orthodox Patriarchate of Alexandria. It appears in both merchant and military naval flags of the Italian Republic. The Lion of Saint Mark is also the symbol of the award of the Venice Film Festival, the "Golden Lion", and of the insurance company Assicurazioni Generali.

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👉 Lion of Saint Mark in the context of Mark the Evangelist

Mark the Evangelist (Koinē Greek: Μᾶρκος, romanized: Mârkos), also known as John Mark (Koinē Greek: Ἰωάννης Μᾶρκος, romanized: Iōánnēs Mârkos; Aramaic: ܝܘܚܢܢ, romanized: Yōḥannān) or Saint Mark, was an Egyptian who is traditionally ascribed to be the author of the Gospel of Mark. Most modern scholars agree that the gospel of Mark is anonymous, though the topic remains contentious among experts. Scholarship is inconclusive on authorship; some reject the attribution to Mark while others debate the identity of Mark. According to Church tradition, Mark founded the episcopal see of Alexandria, which was one of the five most important sees of early Christianity. His feast day is celebrated on April 25, and his symbol is the winged lion.

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Lion of Saint Mark in the context of Greek Orthodox Patriarchate of Alexandria

The Greek Orthodox Patriarchate of Alexandria and all Africa (Ancient Greek: Πατριαρχεῖον Ἀλεξανδρείας καὶ πάσης Ἀφρικῆς, romanizedPatriarkheîon Alexandreías ke pásīs Afrikês, lit.'The Patriarchate of Alexandria and all Africa'), also known as the Greek Orthodox Church of Alexandria, is an autocephalous patriarchate that is part of the Eastern Orthodox Church. Its seat is in Alexandria, and it has canonical responsibility for the entire African continent.

It is commonly called the Greek or Eastern Orthodox Patriarchate of Alexandria to distinguish it from the Coptic Orthodox Patriarchate of Alexandria. Members of the Greek Orthodox Patriarchate were once referred to as "Melkites" by non-Chalcedonian Christians because they remained in communion with the Ecumenical Patriarchate of Constantinople after the schism that followed the Council of Chalcedon in 451. Mark the Evangelist is considered the founder of the See, and the Patriarchate's emblem is the Lion of Saint Mark.

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Lion of Saint Mark in the context of Golden Lion

The Golden Lion (Italian: Leone d'oro) is the highest prize given to a film at the Venice Film Festival. The prize was introduced in 1949 by the organizing committee and is widely regarded as one of the film industry's most prestigious and distinguished prizes. In 1970, the Golden Lion for Lifetime Achievement was introduced, an honorary prize for people who have made an important contribution to cinema.

The prize was introduced in 1949 as the Golden Lion of Saint Mark, which was one of the best known symbols of the ancient Republic of Venice. In 1954, the prize was permanently named the Golden Lion.

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Lion of Saint Mark in the context of 10th Venice International Film Festival

The 10th annual Venice International Film Festival was held from 11 August to 1 September 1949. The Venice Film Festival came back permanently to the Palazzo del Cinema on the Venice Lido.

The award for the Best Film in competition was renamed to Golden Lion of Saint Mark (an allusion to the Lion of Saint Mark, which is one of the best known symbols of the ancient Republic of Venice). Manon, directed by Henri-Georges Clouzot was awarded with the Golden Lion.

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Lion of Saint Mark in the context of Panegyric of Leonardo Loredan

The Panegyricus Serenissimo Principi Leonardo Lauredano, anglicised as Panegyric to the Most Serene Prince Leonardo Loredan is an early 16th-century manuscript written in Latin in honour of Leonardo Loredan, who reigned as the 75th Doge of Venice from 1501 until his death in 1521.

The manuscript is a ceremonial facsimile of a panegyric pronounced by Sigismundus Burgus, a knight and lawyer from the city of Cremona. Dated 21 April 1503, the Latin script is elaborately illuminated with a Roman-style inscription of gold letters on a blue background. The placement of the Lion of Saint Mark, a symbol of the Republic of Venice, in the upper margin above the inscription, confirms that the manuscript is an official document. It was acquired in 1931 by the bequest of Henry Walters, and is currently located in the Walters Art Museum in Baltimore, Maryland.

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