Georges Méliès in the context of "Magic (illusion)"

A Trip to the Moon (French: Le Voyage dans la Lune [lə vwajaʒ dɑ̃ la lyn], transl. "The Journey to the Moon") is a 1902 French science-fiction adventure trick film written, directed and produced by Georges Méliès. Inspired by the Jules Verne novel From the Earth to the Moon (1865) and its sequel Around the Moon (1870), the film follows a group of astronomers who travel to the Moon in a cannon-propelled capsule, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return to Earth with a captive Selenite. Méliès leads an ensemble cast of French theatrical performers as the main character Professor Barbenfouillis.

Although the film disappeared into obscurity (after Méliès's retirement from the film industry) it was rediscovered around 1930, when Méliès's importance to the history of cinema was beginning to be recognised by film devotees. An original hand-colored print was discovered in 1993, and restored in 2011.

Magic is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It encompasses the subgenres of close-up magic, parlor magic, and stage magic, among others. It is to be distinguished from paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world.

Modern entertainment magic, as pioneered by 19th-century magician Jean-Eugène Robert-Houdin, has become a popular theatrical art form. In the late 19th and early 20th centuries, magicians such as John Nevil Maskelyne and David Devant, Howard Thurston, Harry Kellar, and Harry Houdini achieved widespread commercial success during what has become known as "the Golden Age of Magic", a period in which performance magic became a staple of Broadway theatre, vaudeville, and music halls. Meanwhile, magicians such as Georges Méliès, Gaston Velle, Walter R. Booth, and Orson Welles introduced pioneering filmmaking techniques informed by their knowledge of magic.

Compositing is the process or technique of combining visual elements from separate sources into single images, often to create the illusion that all those elements are parts of the same scene. Live-action shooting for compositing is variously called "chroma key", "blue screen", "green screen" and other names. Today, most compositing is achieved through digital image manipulation. Pre-digital compositing techniques, however, go back as far as the trick films of Georges Méliès in the late 19th century, and some are still in use.

The public domain (PD) consists of all the creative work to which no exclusive intellectual property rights apply. Those rights may have expired, be forfeit, waived or may be inapplicable. Because no one holds the exclusive rights, anyone can legally use or reference those works without permission.

As examples, the works of William Shakespeare, Ludwig van Beethoven, Miguel de Cervantes, Zoroaster, Lao Zi, Confucius, Aristotle, L. Frank Baum, Leonardo da Vinci and Georges Méliès are in the public domain either by virtue of their having been created before copyright existed, or by their copyright term having expired. Some works are not covered by a country's copyright laws, and are therefore in the public domain; for example, in the United States, items excluded from copyright include the formulae of Newtonian physics and cooking recipes. Other works are actively dedicated by their authors to the public domain (see waiver); examples include reference implementations of cryptographic algorithms. The term public domain is not normally applied to situations where the creator of a work retains residual rights, in which case use of the work is referred to as "under license" or "with permission".

Science fiction (or sci-fi) is a film genre that uses speculative, science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, mutants, interstellar travel, time travel, or other technologies. Science fiction films have often been used to focus on political or social issues, and to explore philosophical issues like the human condition.

The genre has existed since the early years of silent cinema, when Georges Méliès' A Trip to the Moon (1902) employed trick photography effects. The next major example (first in feature-length in the genre) was the film Metropolis (1927). From the 1930s to the 1950s, the genre consisted mainly of low-budget B movies. After Stanley Kubrick's landmark 2001: A Space Odyssey (1968), the science fiction film genre was taken more seriously. In the late 1970s, big-budget science fiction films filled with special effects became popular with audiences after the success of Star Wars (1977) and paved the way for the blockbuster hits of subsequent decades.

Black light theatre (in Czech černé divadlo) or simply black theatre, is a theatrical performance style characterized by the use of black box theatre augmented by black light illusion. This form of theatre originated from Asia and can be found in many places around the world. It has become a speciality of Prague, where many theatres use it.

The distinctive characteristics of "black theatre" are the use of black curtains, a darkened stage, and "black lighting" (UV light), paired with fluorescent costumes in order to create intricate visual illusions. This "black cabinet" technique was used by Georges Méliès, and by theatre revolutionary Konstantin Stanislavski (especially in his production of Cain). The technique, paired with the expressive artistry of dance, mime and acrobatics of the performers is able to create remarkable spectacles.

Around the Moon (French: Autour de la Lune, 1869), also translated as Circling the Moon and All Around the Moon, is the sequel to Jules Verne's 1865 novel, From the Earth to the Moon. It is a science fiction tale which continues the trip to the Moon that was only begun in the first novel. Later English editions sometimes combined the two under the title From the Earth to the Moon and Around It. There are two modern unabridged English translations by Frederick Paul Walter (2010) and David Petault (2024).

From the Earth to the Moon and Around the Moon served as the basis for the 1902 film A Trip to the Moon by French director Georges Méliès.

Hugo is a 2011 American adventure drama film directed and produced by Martin Scorsese, and adapted for the screen by John Logan. Based on Brian Selznick's 2007 book The Invention of Hugo Cabret, it tells the story of a boy who lives alone in the Gare Montparnasse railway station in Paris in the 1930s, only to become embroiled in a mystery surrounding his late father's automaton and the pioneering filmmaker Georges Méliès.

Hugo is Scorsese's first film shot in 3D, about which the filmmaker remarked, "I found 3D to be really interesting, because the actors were more upfront emotionally. Their slightest move, their slightest intention is picked up much more precisely." The film was released in the United States on November 23, 2011.