George Bruns in the context of "The Sword in the Stone (1963 film)"

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⭐ Core Definition: George Bruns

George Edward Bruns (July 3, 1914 – May 23, 1983) was an American composer of music for film and television. His accolades include four Academy Award nominations and three Grammy Award nominations. He is mainly known for his compositions for numerous Disney films from the 1950s to the 1970s, among them Sleeping Beauty (1959), One Hundred and One Dalmatians, The Absent-Minded Professor (both 1961), The Sword in the Stone (1963), The Jungle Book (1967), The Love Bug (1968), The Aristocats (1970), and Robin Hood (1973).

A native of Sandy, Oregon, Bruns began playing piano at age six. After graduating from Oregon State University, he worked as a bandleader at the Multnomah Hotel in Portland before relocating to Los Angeles to further pursue a musical career. In 1953, Bruns was hired as a musical arranger at Walt Disney Studios, eventually going on to become the studio's music director, a role he served from the mid 1950s until his retirement in 1976.

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George Bruns in the context of Sleeping Beauty (1959 film)

Sleeping Beauty is a 1959 American animated musical fantasy film produced by Walt Disney Productions and released by Buena Vista Film Distribution. Based on Charles Perrault's 1697 fairy tale, the film follows Princess Aurora, who was cursed by the evil fairy Maleficent to die from pricking her finger on the spindle of a spinning wheel on her 16th birthday. She is saved by three good fairies, who alter Aurora's curse so that she falls into a deep sleep and will be awakened by true love's kiss. The production was supervised by Clyde Geronimi, and was directed by Wolfgang Reitherman, Eric Larson, and Les Clark. It features the voices of Mary Costa, Bill Shirley, Eleanor Audley, Verna Felton, Barbara Luddy, Barbara Jo Allen, Taylor Holmes, and Bill Thompson.

Sleeping Beauty began development in 1950. The film took nearly a decade and $6 million (equivalent to $64,719,178 in 2024) to produce, and was Disney's most expensive animated feature at the time. Its tapestry-like art style was devised by Eyvind Earle, who was inspired by pre-Renaissance European art; its score and songs, composed by George Bruns, were based on Pyotr Tchaikovsky's 1889 ballet. Sleeping Beauty was the first animated film to use the Super Technirama 70 widescreen process and was the second full-length animated feature filmed in anamorphic widescreen, following Lady and the Tramp (1955).

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