George Bernard Shaw in the context of Allegory

Euripides (/jʊəˈrɪpɪdiːz/; Ancient Greek: Eὐριπίδης, romanized: Eurīpídēs, pronounced [eu̯.riː.pí.dɛːs]; c. 480 – c. 406 BC) was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three authors of Greek tragedy for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Nineteen plays attributed to Euripides have survived more or less complete, although one of these (Rhesus) is often considered not to be genuinely his work. Many fragments (some of them substantial) survive from most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined: he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.

Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. This new approach led him to pioneer developments that later writers adapted to comedy, some of which are characteristic of romance. He was referred to by Aristotle as "the most tragic of poets", probably in reference to a perceived preference for unhappy endings, but Aristotle's remark is seen by Bernard Knox as having wider relevance, since "in his representation of human suffering Euripides pushes to the limits of what an audience can stand; some of his scenes are almost unbearable." Focusing on the inner lives and motives of his characters in a way previously unknown, Euripides was "the creator of ... that cage which is the theatre of Shakespeare's Othello, Racine's Phèdre, of Ibsen and Strindberg," in which "imprisoned men and women destroy each other by the intensity of their loves and hates". But he was also the literary ancestor of comic dramatists as diverse as Menander and George Bernard Shaw.

Polemic (/pəˈlɛmɪk/ pə-LEHM-ick, US also /-ˈlimɪk/ -⁠LEEM-ick) is contentious rhetoric intended to support a specific position by forthright claims and to undermine the opposing position. The practice of such argumentation is called polemics, which are seen in arguments on controversial topics. A person who writes polemics, or speaks polemically, is called a polemicist. The word derives from Ancient Greek πολεμικός (polemikos) 'warlike, hostile', from πόλεμος (polemos) 'war'.

Polemics often concern questions in religion or politics. A polemical style of writing was common in Ancient Greece, as in the writings of the historian Polybius. Polemic again became common in medieval and early modern times. Since then, famous polemicists have included satirist Jonathan Swift, Italian physicist and mathematician Galileo, French theologian Jean Calvin, French Enlightenment writer, historian, and philosopher Voltaire, Russian author Leo Tolstoy, socialist philosophers Karl Marx and Friedrich Engels, novelist George Orwell, playwright George Bernard Shaw, communist revolutionary Vladimir Lenin, linguist Noam Chomsky, social critics H. L. Mencken, Christopher Hitchens and Peter Hitchens, and existential philosophers Søren Kierkegaard and Friedrich Nietzsche.

The London School of Economics and Political Science (LSE), established in 1895, is a public research university in London, England, and a member institution of the University of London. The school specialises in the pure and applied social sciences.

Founded by Fabian Society members Sidney Webb, Beatrice Webb, Graham Wallas and George Bernard Shaw, LSE joined the University of London in 1900 and offered its first degree programmes under the auspices of that university in 1901. In 2008, LSE began awarding degrees in its own name. LSE became a university in its own right within the University of London in 2022.

Irish literature is literature written in the Irish, Latin, English and Scots (Ulster Scots) languages on the island of Ireland. The earliest recorded Irish writing dates from back in the 7th century and was produced by monks writing in both Latin and Early Irish, including religious texts, poetry and mythological tales. There is a large surviving body of Irish mythological writing, including tales such as Táin Bó Cúailnge and Buile Shuibhne.

The English language was introduced to Ireland in the 13th century, following the Norman invasion of Ireland. The 16th and 17th centuries saw a major expansion of English power across Ireland, further expanding the presence of early Modern English speakers. One theory is that in the latter part of the nineteenth century saw a rapid replacement of Irish by English in the greater part of the country, largely due to the Great Famine and the subsequent decimation of the Irish population by starvation and emigration. Another theory among modern scholars is that far from being a sudden cataclysmic event the language shift was well underway much earlier. At the end of the century, however, cultural nationalism displayed a new energy, marked by the Gaelic Revival (which encouraged a modern literature in Irish) and more generally by the Irish Literary Revival.

Sidney James Webb, 1st Baron Passfield, OM, PC (13 July 1859 – 13 October 1947) was a British socialist, economist and reformer, who co-founded the London School of Economics. He was an early member of the Fabian Society in 1884, joining, like George Bernard Shaw, three months after its inception. Along with his wife Beatrice Webb and with Annie Besant, Graham Wallas, Edward R. Pease, Hubert Bland and Sydney Olivier, Shaw and Webb turned the Fabian Society into the pre-eminent politico-intellectual society in Edwardian England. He wrote the original, pro-nationalisation Clause IV for the British Labour Party.

George Gilbert Aimé Murray OM FBA (2 January 1866 – 20 May 1957) was an Australian-born British classical scholar and public intellectual, who served as Regius Professor of Greek at the University of Oxford from 1908 to 1936. He was an outstanding scholar of the language and culture of Ancient Greece, perhaps the leading authority in the first half of the twentieth century. He is the basis for the character of Adolphus Cusins in his friend George Bernard Shaw's play Major Barbara, and also appears as the chorus figure in Tony Harrison's play Fram.

He served as President of the Ethical Union (now Humanists UK) from 1929 to 1930 and was a delegate at the inaugural World Humanist Congress in 1952 which established Humanists International. He was a leader of the League of Nations Society and the League of Nations Union, which promoted the League of Nations in Britain.

The Cenci. A Tragedy, in Five Acts (/ˈtʃɛntʃi/ CHEN-chee; 1820) is a verse drama in five acts by Percy Bysshe Shelley written in the summer of 1819, and inspired by a real Roman family, the House of Cenci (in particular, Beatrice Cenci). Shelley composed the play in Rome and at Villa Valsovano near Livorno, from May to 5 August 1819. The work was published by Charles and James Ollier in London in 1819. The Livorno edition was printed in Livorno, Italy by Shelley himself in a run of 250 copies. Shelley told Thomas Love Peacock that he arranged for the printing himself because in Italy "it costs, with all duties and freightage, about half of what it would cost in London." Shelley sought to have the play staged, describing it as "totally different from anything you might conjecture that I should write; of a more popular kind... written for the multitude." Shelley wrote to his publisher Charles Ollier that he was confident that the play "will succeed as a publication." A second edition appeared in 1821, his only published work to go into a second edition during his lifetime.

The play was not considered stageable in its day due to its themes of incest and parricide, and was not performed in public in England until 1922, when it was staged in London. In 1886 the Shelley Society had sponsored a private production at the Grand Theatre, Islington, before an audience that included Oscar Wilde, Robert Browning, and George Bernard Shaw. Though there has been much debate over the play's stageability, it has been produced in many countries, including France, Germany, Italy, Russia, Czechoslovakia, and the United States. It was included in the Harvard Classics as one of the most important and representative works of the Western canon.

Man and Superman is a four-act drama written by George Bernard Shaw in 1903, in response to a call for Shaw to write a play based on the Don Juan theme. Man and Superman opened at the Royal Court Theatre in London on 21 May 1905 as a four-act play produced by the Stage Society, and then by John Eugene Vedrenne and Harley Granville-Barker on 23 May, without Act III ("Don Juan in Hell"). A part of the third act (Scene 2), was performed when the drama was staged on 4 June 1907 at the Royal Court. The play was not performed in its entirety until 1915, when the Travelling Repertory Company played it at the Lyceum Theatre, Edinburgh.

Pygmalion is a play written by Irish playwright George Bernard Shaw in 1912, named after the Greek mythological figure. It was first presented onstage in German translation, premiering at the Hofburg Theatre in Vienna on 16 October 1913. Its English-language premiere took place at His Majesty's Theatre in London's West End in April 1914 and starred Herbert Beerbohm Tree as phonetics professor Henry Higgins and Mrs Patrick Campbell as Cockney flower girl Eliza Doolittle.

Pygmalion became the playwright's most popular play, enduring in popular culture as the heavily adapted and romanticized My Fair Lady (1956 musical and 1964 film).

Saint Joan is a play by George Bernard Shaw about the 15th-century French military figure Joan of Arc. It is divided into six scenes and a final epilogue. It was first produced in New York in December 1923 and opened in London three months later.

Written after Joan's canonisation by the Roman Catholic Church, the play depicts her progress from peasant girl to military leader, her subsequent trial for heresy and her execution.

Arms and the Man is a comedy by George Bernard Shaw, whose title comes from the opening words of Virgil's Aeneid, in Latin:Arma virumque cano ("Of arms and the man I sing").

The play was first produced on 21 April 1894 at the Avenue Theatre and published in 1898 as part of Shaw's Plays Pleasant volume, which also included Candida, You Never Can Tell, and The Man of Destiny. Arms and the Man was one of Shaw's first commercial successes. He was called on to stage after the curtain, where he received enthusiastic applause. Amidst the cheers, one audience member booed. Shaw riposted, "My dear fellow, I quite agree with you, but what are we two against so many?"

Major Barbara is a three-act English play by George Bernard Shaw, written and premiered in 1905 and first published in 1907. The story concerns an idealistic young woman, Barbara Undershaft, who is engaged in helping the poor as a Major in the Salvation Army in London. For many years, Barbara and her siblings have been estranged from their father, Andrew Undershaft, who now reappears as a rich and successful munitions maker. The father gives money to the Salvation Army, which offends Barbara because she considers it "tainted" wealth. The father argues that poverty is a worse problem than munitions and claims that he is doing more to help society by giving his workers jobs and a steady income than she is doing by giving people free meals in a soup kitchen.

The play script displays typical Shavian techniques in the omission of apostrophes from contractions and other punctuation, the inclusion of a didactic introductory essay explaining the play's themes, and the phonetic spelling of dialect English, as when Bill Walker jeers, "Wot prawce selvytion nah?" (What price salvation now?).

The Doctor's Dilemma is a play by George Bernard Shaw first staged in 1906. It was published in 1909. It is a problem play about the moral dilemmas created by limited medical resources, and the conflicts between the demands of private medicine as a business and a vocation.

In the play, a medical doctor has developed a new cure for tuberculosis. Due to his limited staff and resources, he can only treat ten patients at a time. He reluctantly decides to treat an additional patient, but he has to choose between treating an altruistic medical colleague, or an extremely gifted artist with amoral beliefs. The doctor's decision is complicated because he is in love with the artist's wife, and he is tempted to let the patient die in order to court his widow.

Caesar and Cleopatra (Shavian: ·𐑕𐑰𐑟𐑩𐑮 𐑨𐑯𐑛 ·𐑒𐑤𐑰𐑩𐑫𐑐𐑨𐑑𐑮𐑩) is a play written in 1898 by George Bernard Shaw that depicts a fictionalised account of the relationship between Julius Caesar and Cleopatra. It was first published with Captain Brassbound's Conversion and The Devil's Disciple in Shaw's 1901 collection Three Plays for Puritans. Shaw based his plot on Theodor Mommsen's The History of Rome, which presents an admiring depiction of Caesar as a strong leader and great man, contrasting his piece with Shakespeare's Antony and Cleopatra, which was based on histories by Plutarch and Holinshed. Shaw focused on the background of Roman interference in the affairs of Alexandria, which he saw as akin to the British imperialism of his day. He also portrayed Cleopatra as sixteen years old to downplay the sexual relationship between the title characters and focus on the political story.

The play was first performed in a single staged reading at Newcastle upon Tyne in March 1899, to secure the copyright, starring Mrs Patrick Campbell and Nutcombe Gould, though Shaw said that he had written the role of Caesar with Johnston Forbes-Robertson in mind. Campbell resisted Shaw's concept of her character and portrayed it more maturely. It was not staged again until March 1906, when it was played unsuccessfully in Berlin in a German translation, with cuts. Shaw's text was fully given a full staging in New York later in 1906 and in London in 1907, both starring Gertrude Elliott and Forbes-Robertson.

Bardolatry is excessive admiration of William Shakespeare. Shakespeare has been known as "the Bard" since the eighteenth century. One who idolizes Shakespeare is known as a bardolator.The term bardolatry, derived from Shakespeare's sobriquet "the Bard of Avon" and the Greek word latria "worship" (as in idolatry, worship of idols), was coined by George Bernard Shaw in the preface to his collection Three Plays for Puritans published in 1901. Shaw professed to dislike Shakespeare as a thinker and philosopher because Shaw believed that Shakespeare did not engage with social problems as Shaw did in his own plays. Shaw argued that the new naturalism of Henrik Ibsen's plays had made Shakespeare obsolete.

George Bernard Shaw's play Mrs Warren's Profession was first performed in London in 1902. Written in 1893, it was included in Shaw's 1898 collection Plays Unpleasant, alongside The Philanderer and Widowers' Houses. The story concerns a former prostitute, now a madam (brothel proprietor), who attempts to come to terms with her disapproving daughter. It is a problem play, offering social commentary to argue that prostitution was not caused by moral failure but by economic necessity. Shaw borrowed several elements from his own 1882 novel Cashel Byron's Profession, about a man who becomes a boxer due to limited employment opportunities.

The New Statesman (known from 1931 to 1964 as the New Statesman and Nation) is a British political and cultural news magazine published in London. Founded as a weekly review of politics and literature on 12 April 1913, it was at first connected with Sidney and Beatrice Webb and other leading members of the socialist Fabian Society, such as George Bernard Shaw, who was a founding director. The longest-serving editor was Kingsley Martin (1930–1960), and the most recent editor was Jason Cowley, who assumed the post in 2008 and left in 2024.

Today, the magazine is a print–digital hybrid. According to its present self-description, it has a modern liberal and progressive political position. Jason Cowley, the magazine's former editor, has described the New Statesman as a publication "of the left, for the left" but also as "a political and literary magazine" with "sceptical" politics.

My Fair Lady is a musical with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The story, based on George Bernard Shaw's 1913 play Pygmalion and on the 1938 film adaptation of the play, concerns Eliza Doolittle, a Cockney flower girl who takes speech lessons from professor Henry Higgins, a phonetician, so that she may pass as a lady. Despite his cynical nature and difficulty understanding women, Higgins grows attached to her.

The musical's 1956 Broadway production was a notable critical and popular success, winning six Tony Awards, including Best Musical. It set a record for the longest run of any musical on Broadway up to that time and was followed by a hit London production. Rex Harrison and Julie Andrews starred in both productions. Many revivals have followed, and the 1964 film version won the Academy Award for Best Picture.