Genre (music) in the context of Country pop


Genre (music) in the context of Country pop

⭐ Core Definition: Genre (music)

A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. Genre is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably.

Music can be divided into genres in numerous ways, sometimes broadly and with polarity, e.g., popular music as opposed to art music or folk music, or, as another example, religious music and secular music. Often, however, classification draws on the proliferation of derivative subgenres, fusion genres, and microgenres that has started to accrue, e.g., screamo, country pop, and mumble rap, respectively. The artistic nature of music means that these classifications are often subjective and controversial, and some may overlap. As genres evolve, novel music is sometimes lumped into existing categories.

↓ Menu
HINT:

In this Dossier

Genre (music) in the context of Rock and roll

Rock and roll (often written as rock & roll, rock-n-roll, and rock 'n' roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. The origins of rock and roll include a mix of styles, mainly rhythm and blues and country music, with influence from gospel, jazz, boogie-woogie, electric blues, jump blues, swing, and folk music. While rock and roll's early elements can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until 1954.

By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll". For the purpose of differentiation, this article deals with the first definition.

View the full Wikipedia page for Rock and roll
↑ Return to Menu

Genre (music) in the context of Pierre Schaeffer

Pierre Henri Marie Schaeffer (English pronunciation: /pˈɛər ˈhɛnr məˈr ˈʃfər/ , French pronunciation: [ʃɛfɛʁ]; 14 August 1910 – 19 August 1995) was a French composer, writer, broadcaster, engineer, musicologist, acoustician and founder of Groupe de Recherche de Musique Concrète (GRMC). His innovative work in both the sciences—particularly communications and acoustics—and the various arts of music, literature and radio presentation after the end of World War II, as well as his anti-nuclear activism and cultural criticism garnered him widespread recognition in his lifetime.

Schaeffer is most widely and currently recognized for his accomplishments in electronic and experimental music, at the core of which stands his role as the chief developer of a unique and early form of avant-garde music known as musique concrète. The genre emerged in Europe from the utilization of new music technology developed in the post-war era, following the advance of electroacoustic and acousmatic music.

View the full Wikipedia page for Pierre Schaeffer
↑ Return to Menu

Genre (music) in the context of Limit (music)

In music theory, limits or harmonic limits are a way of characterizing the harmony found in a piece or genre of music, or the harmonies that can be made using a particular scale. The term limit was introduced by Harry Partch, who used it to give an upper bound on the complexity of harmony, hence the name.

View the full Wikipedia page for Limit (music)
↑ Return to Menu