Gejia people in the context of "Miao people"

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⭐ Core Definition: Gejia people

The Gejia (Chinese: 𱎼家人 or 革家人; Hanyu pinyin: Géjiārén; also Gedou) is an ethnic group of Guizhou province, southwestern China. They are officially classified by the government as a part of the Miao, but have a special status in Guizhou, but not recognized as independent from the Miao. The Gejia live mainly in Qiandongnan Prefecture, in the counties of Huangping, Kaili, and Guanling. They are concentrated in the towns of Chong'an, Chong Xing, Huangpiao in Huangping and Longchang, Wanshui of Kaili. Matang is exclusively inhabited by these people. There are over 400 inhabitants in this village. The total Gejia population is approximately 50,000.

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Gejia people in the context of Batik

Batik is a dyeing technique using wax resist. The term is also used to describe patterned textiles created with that technique. Batik is made by drawing or stamping wax on a cloth to prevent colour absorption during the dyeing process. This creates a patterned negative when the wax is removed from the dyed cloth. Artisans may create intricate coloured patterns with multiple cycles of wax application and dyeing. Patterns and motifs vary widely even within countries. Some patterns hold symbolic significance and are used only in certain occasions, while others were created to satisfy market demand and fashion trends.

Resist dyeing using wax has been practised since ancient times, and it is attested in several world cultures, such as Egypt, southern China (especially among hilltribes like the Miao, Bouyei, and Gejia peoples), India, Indonesia, Malaysia, Nigeria, and Sri Lanka. The technique developed in Indonesia (especially in Java) is among the most sophisticated, although its antiquity is difficult to determine. It first became widely known outside of Southeast Asia when it was described in the 1817 History of Java, leading to significant collecting efforts and scholarly studies of the tradition and crafts. Javanese batik was subject to several innovations in the 19th to early-20th centuries, such as the use of stamp printing of wax to increase productivity. Many workshops and artisans are active today, creating a wide range of products and influencing other textile traditions and artists.

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