The gaze (French: le regard), in the figurative sense, is an individual's (or a group's) awareness and perception of other individuals, other groups, or oneself. Since the 20th century, the concept and the social applications of the gaze have been expanded by phenomenologist, existentialist, and post-structuralist philosophers. Jean-Paul Sartre described the gaze (or the look) in Being and Nothingness (1943). Michel Foucault, in Discipline and Punish: The Birth of the Prison (1975), developed the concept of the gaze to illustrate the dynamics of socio-political power relations and the social dynamics of society's mechanisms of discipline. Jacques Derrida, in The Animal That Therefore I Am (More to Come) (1997), elaborated upon the inter-species relations that exist among human beings and other animals, which are established by way of the gaze.
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Gaze in the context of Oculesics
Oculesics, a subcategory of kinesics, is the study of eye movement, behavior, gaze, and eye-related nonverbal communication. The term's specific designation slightly varies apropos of the field of study (e.g., medicine or social science). Communication scholars use the term "oculesics" to refer to the investigation of culturally-fluctuating propensities and appreciations of visual attention, gaze and other implicitly effusive elements of the eyes. Comparatively, medical professionals may ascribe the same appellation to the measurement of a patient's ocular faculty, especially subsequent a cerebral or other injury (e.g., a concussion).
Gaze in the context of The Birth of the Clinic
The Birth of the Clinic: An Archaeology of Medical Perception (Naissance de la clinique: une archéologie du regard médical, 1963), by Michel Foucault, presents the development of la clinique, the teaching hospital, as a medical institution, identifies and describes the concept of Le regard médical (lit. 'the medical gaze'), and the epistemic re-organisation of the research structures of medicine in the production of medical knowledge, at the end of the eighteenth century. Although originally limited to the academic discourses of post-modernism and post-structuralism, the medical gaze term is used in graduate medicine and social work.
Gaze in the context of Matrixial gaze
The Matrixial Gaze is a 1995 book by artist, psychoanalyst, clinical psychologist, writer and painter Bracha L. Ettinger. It is a work of feminist film theory that examines the gaze as described by Jacques Lacan, criticises it, and offers an original theory concerning feminine and female gaze. Beginning in 1985, Ettinger's artistic practice and her theoretical invention of a matrixial space (matricial space) articulated around her proposal of a feminine-maternal sphere of encounter that begins in the most archaic (pre-maternal-prenatal) humanised encounter-event, led her to publish a long series of academic articles starting 1992, articulating and developing for some decades what she has called the matrixial (matricial, matrixiel) theory of trans-subjectivity. The matrixial (matricial, matriciel, matrixiel) theory formulates Aesthetics and artistic creativity in terms of withnessing, compassion, wondering and 'fascinance', as well as Ethics of witnessing, responsibility, respect, compassion and care, and the passage from co-response-ability to responsibility and from com-passion to compassion. Bracha L. Ettinger invented a field of concepts that have influenced debates in contemporary art, psychoanalysis, women's studies, film studies, feminism, gender studies and cultural studies.