Galleria Borghese in the context of "David (Bernini)"

The Aeneid (/ɪˈniːɪd/ ih-NEE-id; Latin: Aeneis [ae̯ˈneːɪs]) is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans. Written by the Roman poet Virgil between 29 and 19 BC, the Aeneid comprises 9,896 lines in dactylic hexameter. The first six of its twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the latter six tell of the Trojans' ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed.

The hero Aeneas was already known to Graeco-Roman legend and myth, having been a character in the Iliad. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Rome, and his description as a personage of no fixed characteristics other than a scrupulous pietas, and fashioned the Aeneid into a compelling founding myth or national epic that tied Rome to the legends of Troy, explained the Punic Wars, glorified traditional Roman virtues, and legitimised the Julio-Claudian dynasty as descendants of the founders, heroes, and gods of Rome and Troy.

Renaissance art (1350 – 1620) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age.

The body of art, including painting, sculpture, architecture, music and literature identified as "Renaissance art" was primarily produced during the 14th, 15th, and 16th centuries in Europe under the combined influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man. Scholars no longer believe that the Renaissance marked an abrupt break with medieval values, as is suggested by the French word renaissance, literally meaning "rebirth". In many parts of Europe, Early Renaissance art was created in parallel with Late Medieval art.

In Greco-Roman mythology, Aeneas (/ɪˈniːəs/ in-EE-əs; Classical Latin: [ae̯ˈneːaːs]; from Ancient Greek: Αἰνείας, romanized: Aineías) was a Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite (equivalent to the Roman Venus). His father was a first cousin of King Priam of Troy (both being grandsons of Ilus, founder of Troy), making Aeneas a second cousin to Priam's children (such as Hector and Paris). He is a minor character in Greek mythology and is mentioned in Homer's Iliad. Aeneas receives full treatment in Roman mythology, most extensively in Virgil's Aeneid, where he is cast as an ancestor of Romulus and Remus. He became the first true hero of Rome. Snorri Sturluson identifies him with the Norse god Víðarr of the Æsir.

Villa Borghese Pinciana ('Borghese villa on the Pincian Hill') is a villa built by the architect Flaminio Ponzio (and, after his death, finished by his assistant Giovanni Vasanzio), developing sketches by Scipione Borghese.

Villa Borghese is a landscape garden in Rome, containing a number of buildings, museums (see Galleria Borghese) and attractions. It is the third-largest public park in Rome (80 hectares or 197.7 acres), after the ones of the Villa Doria Pamphili and Villa Ada. The gardens were developed for the Villa Borghese Pinciana ("Borghese villa on the Pincian Hill"), built by the architect Flaminio Ponzio, developing sketches by Scipione Borghese, who used it as a villa suburbana, or party villa, at the edge of Rome, and to house his art collection. The gardens as they are now were remade in the late 19th century.

The Borghese Collection is a collection of Roman sculptures, old masters and modern art collected by the Roman Borghese family, especially Cardinal Scipione Borghese, from the 17th century on. It includes major collections of Caravaggio, Raphael, and Titian, and of ancient Roman art. Cardinal Scipione Borghese also bought widely from leading painters and sculptors of his time, and Scipione Borghese's commissions include two portrait busts by Gian Lorenzo Bernini.[1][2] Most of the collection remains intact and on display at the Galleria Borghese, although a significant sale of classical sculpture was made under duress to the Louvre in 1807.

Boy with a Basket of Fruit is an oil on canvas painting generally ascribed to Italian Baroque master Michelangelo Merisi da Caravaggio, created c. 1593. It is held in the Galleria Borghese, in Rome.

Saint Jerome Writing, also called Saint Jerome in His Study or simply Saint Jerome, is an oil painting by the Italian Baroque master Caravaggio, from c. 1605-1606. The painting is located in the Galleria Borghese, in Rome.

The Young Sick Bacchus (Italian: Bacchino Malato), also known as the Sick Bacchus or the Self-Portrait as Bacchus, is an early self-portrait by the Italian Baroque artist Michelangelo Merisi da Caravaggio, dated between 1593 and 1594. It now hangs in the Galleria Borghese in Rome. According to Caravaggio's first biographer, Giovanni Baglione, it was a cabinet piece painted by the artist using a mirror.