French landscape garden in the context of "English landscape park"

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⭐ Core Definition: French landscape garden

The French landscape garden (French: jardin anglais, jardin à l'anglaise, jardin paysager, jardin pittoresque, jardin anglo-chinois) is a style of garden inspired by idealized romantic landscapes and the paintings of Hubert Robert, Claude Lorrain and Nicolas Poussin, European ideas about Chinese gardens, and the philosophy of Jean-Jacques Rousseau. The style originated in England as the English landscape garden in the early 18th century, and spread to France where, in the second half of the 18th century and early 19th century, it gradually replaced the rigidly clipped and geometrical French formal garden (jardin à la française).

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French landscape garden in the context of Folly

In architecture, a folly is a building constructed primarily for decoration, but suggesting through its appearance some other purpose, or of such extravagant appearance that it transcends the range of usual garden buildings.

Eighteenth-century English landscape gardening and French landscape gardening often featured mock Roman temples, symbolising classical virtues. Other 18th-century garden follies imitated Chinese temples, Egyptian pyramids, ruined medieval castles, abbeys, or Tatar tents, to represent different continents or historical eras. Sometimes they represented rustic villages, mills and cottages, to symbolise rural virtues. Many follies, particularly during times of famine, such as the Great Famine in Ireland, were built as a form of poor relief, to provide employment for peasants and unemployed artisans.

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French landscape garden in the context of English landscape garden

The English landscape garden, also called English landscape park or simply the English garden (French: Jardin à l'anglaise, Italian: Giardino all'inglese, German: Englischer Landschaftsgarten, Portuguese: Jardim inglês, Spanish: Jardín inglés), is a style of "landscape" garden which emerged in England in the early 18th century, and spread across Europe, replacing the more formal, symmetrical French formal garden which had emerged in the 17th century as the principal gardening style of Europe. The English garden presented an idealized view of nature. Created and pioneered by William Kent and others, the "informal" garden style originated as a revolt against the architectural garden and drew inspiration from landscape paintings by Salvator Rosa, Claude Lorrain, and Nicolas Poussin, as well as from the classic Chinese gardens of the East, which had recently been described by European travellers and were realized in the Anglo-Chinese garden.

The English garden usually included a lake, sweeps of gently rolling lawns set against groves of trees, and recreations of classical temples, Gothic ruins, bridges, and other picturesque architecture, designed to recreate an idyllic pastoral landscape. The work of Lancelot "Capability" Brown was particularly influential. By the end of the 18th century the English garden was being imitated by the French landscape garden, and as far away as St. Petersburg, Russia, in Pavlovsk, the gardens of the future Emperor Paul. It also had a major influence on the forms of public parks and gardens which appeared around the world in the 19th century. The English landscape garden was usually centred on the English country house, and many examples in the United Kingdom are popular visitor attractions today.

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French landscape garden in the context of Hameau de la Reine

The Hameau de la Reine (French pronunciation: [amo la ʁɛn], The Queen's Hamlet) is a rustic retreat in the park of the Château de Versailles built for Marie Antoinette in 1783 near the Petit Trianon in Yvelines, France. It served as a private meeting place for the queen and her closest friends and as a place of leisure. Designed by Richard Mique, the queen's favoured architect, with the help of the painter Hubert Robert, it contained a meadowland with a lake and various buildings in a rustic or vernacular style, inspired by Norman or Flemish design, situated around an irregular pond fed by a stream that turned a mill wheel. The building scheme included a farmhouse, (the farm was to produce milk and eggs for the queen), a dairy, a dovecote, a boudoir, a barn that burned down during the French Revolution, a mill and a tower in the form of a lighthouse. Each building is decorated with a garden, an orchard or a flower garden. The largest and most famous of these houses is the "Queen's House", connected to the Billiard house by a wooden gallery, at the center of the village. A working farm was close to the idyllic, fantasy-like setting of the Queen's Hamlet.

The hameau is the best-known of a series of rustic garden constructions built in this era, notably the Prince of Condé's Hameau de Chantilly (1774–1775) which was the inspiration for the Versailles hamlet. Such model farms, operating under principles espoused by the Physiocrats, were fashionable among the French aristocracy at the time. One primary purpose of the hameau was to add to the ambiance of the Petit Trianon, giving the illusion that it was deep in the countryside rather than within the confines of Versailles. The rooms at the hameau allowed for more intimacy than the grand salons at Versailles or at the Petit Trianon.

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French landscape garden in the context of Landscape garden

The English landscape garden, also called English landscape park or simply the English garden (French: Jardin à l'anglaise; Italian: Giardino all'inglese; German: Englischer Landschaftsgarten; Portuguese: Jardim inglês; Spanish: Jardín inglés), is a style of "landscape" garden which emerged in England in the early 18th century, and spread across Europe, replacing the more formal, symmetrical French formal garden which had emerged in the 17th century as the principal gardening style of Europe. The English garden presented an idealized view of nature. Created and pioneered by William Kent and others, the "informal" garden style originated as a revolt against the architectural garden and drew inspiration from landscape paintings by Salvator Rosa, Claude Lorrain, and Nicolas Poussin, as well as from the classic Chinese gardens of the East, which had recently been described by European travellers and were realized in the Anglo-Chinese garden.

The English garden usually included a lake, sweeps of gently rolling lawns set against groves of trees, and recreations of classical temples, Gothic ruins, bridges, and other picturesque architecture, designed to recreate an idyllic pastoral landscape. The work of Lancelot "Capability" Brown was particularly influential. By the end of the 18th century the English garden was being imitated by the French landscape garden, and as far away as St. Petersburg, Russia, in Pavlovsk, the gardens of the future Emperor Paul. It also had a major influence on the forms of public parks and gardens which appeared around the world in the 19th century. The English landscape garden was usually centred on the English country house, and many examples in the United Kingdom are popular visitor attractions today.

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