Fredmans epistlar (English: Fredman's Epistles) is a collection of 82 poems set to music by Carl Michael Bellman, a major figure in Swedish 18th century song. Though first published in 1790, it was created over a period of twenty years from 1768 onwards. A companion volume, Fredmans sånger (Fredman's Songs) was published the following year.
The Epistles vary widely in style and effect, from Rococo-themed pastorale with a cast of gods and demigods from classical antiquity to laments for the effects of Brännvin-drinking, tavern-scenes, and apparent improvisations. The lyrics, based on the lives of Bellman's contemporaries in Gustavian-age Sweden, describe a gallery of fictional and semi-fictional characters and events in Stockholm. Jean Fredman, an alcoholic former watchmaker, is the central character and fictional narrator. The "soliloquy" of Epistle 23, a description of Fredman lying drunk in the gutter and then recovering in the Crawl-In Tavern, was described by Oscar Levertin as "the to-be-or-not-to-be of Swedish literature". Ulla Winblad, based on one of Bellman's friends, is the chief of the fictional "nymphs". She is half goddess, half prostitute, a key figure among the demimonde characters of Fredman's Epistles.
