Frederic Remington in the context of Range war

The smoke signal is one of the oldest forms of long-distance communication. It is a form of visual communication used over a long distance. In general smoke signals are used to transmit news, signal danger, or to gather people to a common area.

The Amon Carter Museum of American Art (also known as the Carter) is located in the cultural district of Fort Worth, Texas, United States. The museum's permanent collection features paintings, photography, sculpture, and works on paper by leading artists working in the United States and its North American territories in the nineteenth and twentieth centuries. The greatest concentration of works falls into the period from the 1820s through the 1940s. Photographs, prints, and other works on paper produced up to the present day are also an area of strength in the museum's holdings.

The collection was built on portrayals of the Old West by Frederic Remington and Charles M. Russell, artworks depicting nineteenth-century expansionism and settlement of the North American continent, and masterworks that are emblematic of major turning points in American art history. The "full spectrum" of American photography is documented by 45,000 exhibition-quality prints, dating from the earliest years of the medium to the present. A rotating selection of works from the permanent collection is on view year-round during regular museum hours, and several thousand of these works can be studied online using the Collection tab on the Carter's official website. Museum admission for all exhibits, including special exhibits, is free.

The Sid Richardson Museum (formerly the Sid Richardson Collection of Western Art) is located in historic Sundance Square in Fort Worth, Texas, and features permanent and special exhibitions of paintings by Frederic Remington and Charles M. Russell, as well as other late 19th and early 20th-century artists who worked in the American West. The works reflect both the artistic visions and realities of the American West, and were part of the personal collection of the late oilman and philanthropist, Sid Williams Richardson, (1891-1959). The paintings were acquired by him primarily through Newhouse Galleries in New York from 1942 until 1959. In addition to Remington and Russell, the collection includes works by Oscar E. Berninghaus, Charles F. Browne, Edwin W. Deming, William Gilbert Gaul, Peter Hurd, Frank Tenney Johnson, William R. Leigh, Peter Moran and Charles Schreyvogel.

Opened in 1982, the museum is housed in a replica of an 1895 building in an area of restored turn-of-the-century buildings in downtown Fort Worth. The site was chosen by the Sid Richardson Foundation trustees both for its convenience to downtown visitors and workers and for the historic atmosphere of the area.

The National Cowboy & Western Heritage Museum is a museum in Oklahoma City, Oklahoma, United States, with more than 28,000 Western and Native American art works and artifacts. The facility also has the world's most extensive collection of American rodeo photographs, barbed wire, saddlery, and early rodeo trophies. Museum collections focus on preserving and interpreting the heritage of the American West. The museum has an extensive collection of paintings by Charles Marion Russell and Frederic Remington. It also hosts the annual Prix de West Invitational Art Exhibition and Sale each June, one of the leading events in the world of Western American Art. The Prix de West Artists sell original works of art as a fundraiser for the museum.

The depiction of night in paintings is common in Western art. Paintings that feature a night scene as the theme may be religious or history paintings, genre scenes, portraits, landscapes, or other subject types. Some artworks involve religious or fantasy topics using the quality of dim night light to create mysterious atmospheres. The source of illumination in a night scene—whether it is the moon or an artificial light source—may be depicted directly, or it may be implied by the character and coloration of the light that reflects from the subjects depicted. They are sometimes called nocturnes, or night-pieces, such as Rembrandt's The Night Watch, or the German Romantic Caspar David Friedrich's Two Men Contemplating the Moon of 1819.

In America, James Abbott McNeill Whistler titled works as nocturnes to identify those paintings with a "dreamy, pensive mood" by applying the musical term, and likewise also titled (and retitled) works using other music expressions, such as a "symphony", "harmony", "study" or "arrangement", to emphasize the tonal qualities and the composition and to de-emphasize the narrative content. The use of the term "nocturne" can be associated with the Tonalist movement of the American of the late 19th century and early 20th century which is "characterized by soft, diffused light, muted tones and hazy outlined objects, all of which imbue the works with a strong sense of mood." Along with winter scenes, nocturnes were a common Tonalist theme. Frederic Remington used the term as well for his nocturne scenes of the American Old West.