Frans Van Dijk in the context of Royal Museum of Fine Arts Antwerp


Frans Van Dijk in the context of Royal Museum of Fine Arts Antwerp

⭐ Core Definition: Frans Van Dijk

Frans Van Dijk (11 October 1853, Berchem – 20 February 1939, Merksem) was a Belgian architect. He was an important representative of eclecticism in architecture.

He designed the Royal Museum of Fine Arts in Antwerp, the Saint Michael and Saint Peter's Church and a group of six villas in Cogels-Osylei and surroundings of Antwerp. Van Dijk also renovated the Spaengien and rebuilt the De Spieghel and Den Arend on Antwerp's Grote Markt.

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Frans Van Dijk in the context of Royal Museum of Fine Arts, Antwerp

The Royal Museum of Fine Arts Antwerp (Dutch: Koninklijk Museum voor Schone Kunsten Antwerpen; KMSKA) is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the artistic production and the taste of art enthusiasts in Antwerp, Belgium and the Northern and Southern Netherlands since the 15th century.

The neoclassical building housing the collection is one of the primary landmarks of the Zuid district of Antwerp. The majestic building was designed by Jean-Jacques Winders (1849–1936) and Frans Van Dijk (1853–1939), built beginning in 1884, opened in 1890, and completed in 1894. Sculpture on the building includes two bronze figures of Pheme with horse-drawn chariots by sculptor Thomas Vincotte, and seven rondel medallions of artists that include Boetius à Bolswert, Frans Floris, Jan van Eyck, Peter Paul Rubens, Quentin Matsys, Erasmus Quellinus II, and Appelmans, separated by four monumental sculptures representing Architecture, Painting, Sculpture, and Graphics.

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Frans Van Dijk in the context of Jean-Jacques Winders

Jean-Jacques Winders (14 May 1849, Antwerp – 20 February 1936, Antwerp) was a Belgian architect.

He designed the Royal Museum of Fine Arts in Antwerp with Frans Van Dijk, the Schelde Vrij (nl) monument and his own house De Passer from 1883, which was protected as a monument in Belgium in 1981. Initially he designed buildings in an eclectic style, from 1880 his designs were in the Flemish neo-Renaissance style, of which his house is a typical example.

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