Francois I of France in the context of "Jacques Cartier"

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⭐ Core Definition: Francois I of France

Francis I (French: François I; Middle French: Françoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once removed and father-in-law Louis XII, who died without a legitimate son.

A prodigious patron of the arts, Francis promoted the emergent French Renaissance by attracting many Italian artists to work for him, including Leonardo da Vinci, who brought the Mona Lisa, which Francis had acquired. Francis's reign saw important cultural changes with the growth of central power in France, the spread of humanism and Protestantism, and the beginning of French exploration of the New World. Jacques Cartier and others claimed lands in the Americas for France and paved the way for the expansion of the first French colonial empire.

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Francois I of France in the context of Cultural references to Leonardo da Vinci

Leonardo da Vinci (April 15, 1452 – May 2, 1519) was an Italian Renaissance painter and polymath who achieved legendary fame and iconic status within his own lifetime. His renown primarily rests upon his brilliant achievements as a painter, as his Mona Lisa and The Last Supper are two of the most famous artworks ever created. But Leonardo is also known for his diverse skills as a scientist, inventor, engineer, theorist, sculptor, architect, descriptions and study of the human body, and more. He became so highly valued during his lifetime that the King of France bore him home like a trophy of war, supported him in his old age and, according to legend, cradled his head as he died.

Leonardo's portrait was used, within his own lifetime, as the iconic image of Plato in Raphael's School of Athens. His biography was written in superlative terms by Vasari. He has been repeatedly acclaimed the greatest genius to have lived. His painting of the Mona Lisa has been the most imitated artwork of all time and his drawing the Vitruvian Man iconically represents the fusion of Art and Science.

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