Floating signifier in the context of Mise-en-scène


Floating signifier in the context of Mise-en-scène

⭐ Core Definition: Floating signifier

In semiotics and discourse analysis, floating signifiers are signifiers, such as words or images, that can be interpreted in different ways and so do not have a clear, single referent. For example, the word "tree" is a signifier that references a tree. Although the term was developed in the mid-twentieth century, originating in Claude Lévi-Strauss's anthropological research, it is also frequently applied in contemporary scholarship.Floating signifiers are sometimes also referred to as empty signifiers, although several scholars argue that the terms mean different things. The term open signifier is sometimes used as a synonym due to the empty signifier's nature to "resist the constitution of any unitary meaning", enabling its ability to remain open to different meanings in different contexts.

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Floating signifier in the context of Conservative democracy

Conservative democracy (Turkish: muhafazakâr demokrasi) is a label coined by the ruling Justice and Development Party (AKP) of Turkey to describe Islamic democracy. Forming as a modernist breakaway party from former Islamist movements, the AKP's conservative democratic ideology has been described as a departure from or moderation of Islamic democracy and the endorsement of more secular and democratic values. The electoral success and the neo-Ottoman foreign policy of the AKP that aims to broaden Turkey's regional influence has led to the party's conservative democratic ideals to be mirrored in other countries, such as by the Justice and Development Party in Morocco and the Ennahda Movement in Tunisia.

In its broadest sense, the term conservative democracy highlights the compatibility of Islam with democracy, a Western-oriented foreign policy, neoliberal economics and secularism within government. Since the view has been reflected in several economic, foreign, domestic and social policy initiatives, the term conservative democracy has been referred to as a floating signifier that encompasses a broad coalition of ideas. In contrast, and because of its broad definition, the term has also been accused of being a red herring designed to conceal a hidden Islamist agenda but maintain public support.

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Floating signifier in the context of Mise-en-scene

Mise-en-scène (French pronunciation: [miz ɑ̃ sɛn] ; English: "placing on stage" or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, both in the visual arts through storyboarding, visual themes, and cinematography and in narrative-storytelling through directions. The term is also commonly used to refer to single scenes that are representative of a film.

Mise-en-scène has been called film criticism's "grand undefined term". Ed Sikov has attempted to define it as "the totality of expressive content within the image". It has been criticized for its focus on the dramatic design aspects rather than the plot itself, as those who utilize mise-en-scène tend to look at what is "put before the camera" rather than the story. The use of mise-en-scène is significant as it allows the director to convey messages to the viewer through what is placed in the scene, not just the scripted lines spoken and acted in the scene. Mise-en-scène allows the director to not only convey their message but also implement their aesthetic; as such, each director has their own unique mise-en-scène. Mise-en-scène refers to everything in front of the camera, including the set design, lighting, and actors, and the ultimate way that this influences how the scene comes together for the audience.

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