Flash (photography) in the context of "Glare (vision)"

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⭐ Core Definition: Flash (photography)

A flash is a device used in photography that produces a brief burst of light (lasting around 1⁄200 of a second) at a color temperature of about 5500 K to help illuminate a scene. The main purpose of a flash is to illuminate a dark scene. Other uses are capturing quickly moving objects or changing the quality of light. Flash refers either to the flash of light itself or to the electronic flash unit discharging the light. Most current flash units are electronic, having evolved from single-use flashbulbs and flammable powders. Modern cameras often activate flash units automatically.

Flash units are commonly built directly into a camera. Some cameras allow separate flash units to be mounted via a standardized accessory mount bracket (a hot shoe). In professional studio equipment, flashes may be large, standalone units, or studio strobes, powered by special battery packs or connected to mains power. They are either synchronized with the camera using a flash synchronization cable or radio signal, or are light-triggered, meaning that only one flash unit needs to be synchronized with the camera, and in turn triggers the other units, called slaves.

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πŸ‘‰ Flash (photography) in the context of Glare (vision)

Glare is difficulty of seeing in the presence of bright light such as direct or reflected sunlight or artificial light such as car headlamps at night. Because of this, some cars include mirrors with automatic anti-glare functions and in buildings, blinds or louvers are often used to protect occupants. Glare is caused by a significant ratio of luminance between the task (that which is being looked at) and the glare source. Factors such as the angle between the task and the glare source and eye adaptation have significant impacts on the experience of glare.

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Flash (photography) in the context of Point-and-shoot camera

A point-and-shoot camera, also known as a compact camera and sometimes abbreviated to P&S, is a still camera (either film or digital) designed primarily for simple operation. Most use focus free lenses or autofocus for focusing, automatic systems for setting the exposure options, and have flash units built in. They are popular for vernacular photography by people who do not consider themselves photographers but want easy-to-use cameras for snapshots of vacations, parties, reunions and other events.

Most compact digital cameras use small 1/2.3-type (β€œ1/2.3-inch”) image sensors, but since 2008, a few non-interchangeable lens compact cameras use a larger sensor such as 1.0-type (β€œ1-inch”), APS-C (e.g. Fujifilm X100 series), or even full frame (e.g. Sony RX1 series). Most models prioritize being operated in auto mode, but some high end point-and-shoot cameras have PASM (program, aperture priority, shutter priority, and manual modes) on the mode dial, raw image format, and a hot shoe. None have interchangeable lenses, but some have secondary lens mounts.

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Flash (photography) in the context of Jacob Riis

Jacob August Riis (/riːs/ REESS; May 3, 1849 – May 26, 1914) was a Danish-American social reformer, "muck-raking" journalist, and social documentary photographer. He contributed significantly to the cause of urban reform in the United States of America at the turn of the twentieth century. He is known for using his photographic and journalistic talents to help the impoverished in New York City; those impoverished New Yorkers were the subject of most of his prolific writings and photography.

Riis endorsed the implementation of "model tenements" in New York with the help of humanitarian Lawrence Veiller. He was an early proponent of the newly practicable casual photography and one of the first to adopt photographic flash. While living in New York, Riis experienced poverty and became a police reporter writing about the quality of life in the slums. He attempted to alleviate the poor living conditions of poor people by exposing these conditions to the middle and upper classes.

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Flash (photography) in the context of Hot shoe

A hot shoe is a mounting point on the top of a camera to attach a flash unit and other compatible accessories. It takes the form of an angled metal bracket surrounding a metal contact point which completes an electrical connection between camera and accessory for standard, brand-independent flash synchronization.

The hot shoe is a development of the standardised "accessory shoe" or "cold shoe", with no flash contacts, formerly fitted to cameras to hold accessories such as a rangefinder, or flash connected by a cable.

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