Filomena Marturano in the context of "Musical film"

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⭐ Core Definition: Filomena Marturano

Filomena Marturano is a 1950 Argentine musical film directed by Luis Mottura. A production of the classical era of Argentine cinema, it is based on the theatrical piece Filumena Marturano by the Neapolitan actor and author Eduardo De Filippo, which had been previously performed in Argentina with great success by the company of Tita Merello. It was adapted by Ariel Cortazzo and María Cruz Regás. It starred Tita Merello, again, and Guillermo Battaglia.

Costumes were designed by Héctor Fernández Gómez.

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Filomena Marturano in the context of Filumena Marturano

Filumena Marturano (Neapolitan: [filuˈmɛːnə martuˈrɑːnə], Italian: [filuˈmɛːna martuˈraːno]), sometimes performed in English as The Best House in Naples, is a play written in 1946 by Italian playwright, actor and poet Eduardo De Filippo. It is the basis for the 1950 Spanish-language Argentine musical film Filomena Marturano, multiple Italian adaptations under its original title, and the 1964 film Marriage Italian Style.

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Filomena Marturano in the context of Marriage Italian Style

Marriage Italian Style (Italian: Matrimonio all'italiana [matriˈmɔːnjo allitaˈljaːna]) is a 1964 romantic comedy-drama film directed by Vittorio De Sica, starring Sophia Loren and Marcello Mastroianni.

The film was adapted by Leonardo Benvenuti, Renato Castellani, Piero De Bernardi, and Tonino Guerra from the play Filumena Marturano by Eduardo De Filippo. Filumena Marturano had previously been adapted as a 1950 Argentine film.

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Filomena Marturano in the context of Tita Merello

Laura Ana "Tita" Merello (11 October 1904 – 24 December 2002) was an Argentine film actress, tango dancer and singer of the Golden Age of Argentine cinema. In her six decades in Argentine entertainment, at the time of her death, she had filmed over thirty movies, premiered twenty plays, had nine television appearances, completed three radio series and had had countless appearances in print media. She was one of the singers who emerged in the 1920s along with Azucena Maizani, Libertad Lamarque, Ada Falcón, and Rosita Quiroga, who created the female voices of tango. She was primarily remembered for the songs "Se dice de mí" and "La milonga y yo".

She began her acting career in theater and may have made silent films. She debuted on the first sound movie produced in Argentina, ¡Tango!, with Libertad Lamarque in 1933. After making a series of films throughout the 1930s, she established herself as a dramatic actress in La fuga (1937), directed by Luis Saslavsky. In the mid-1940s, she moved to Mexico, where she filmed Cinco rostros de mujer (1947), which earned her an Ariel Award from the Mexican Academy of Film. She returned to Argentina and starred in Don Juan Tenorio (1949) and Filomena Marturano (1950), which were subsequently taken to the theater. Her period of greatest popularity came in the following decade, when she led films like Los isleros (1951), considered her best performance, Guacho (1954) and Mercado de abasto (1955). She also received praise for her work in Arrabalera (1950), Para vestir santos (1955) and El amor nunca muere (1955).

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