Film noir in the context of "Fritz Lang"

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Film noir in the context of Frank Miller

Frank Miller (born January 27, 1957) is an American comic book creator, screenwriter, and director known for his comic book stories and graphic novels such as his run on Daredevil, for which he created the character Elektra, and subsequent Daredevil: Born Again, The Dark Knight Returns, Batman: Year One, Sin City, Ronin, and 300.

Miller is noted for combining film noir and manga influences in his comic art creations. He said: "I realized when I started Sin City that I found American and English comics to be too wordy, too constipated, and Japanese comics to be too empty. So I was attempting to do a hybrid." Miller has received every major comic book industry award, and in 2015 he was inducted into the Will Eisner Award Hall of Fame.

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Film noir in the context of Gothic film

A Gothic film is a film that is based on Gothic fiction or common elements from such fictional works. Since various definite film genres—including science fiction, film noir, thriller, and comedy—have used Gothic elements, the Gothic film is challenging to define clearly as a genre. Gothic elements have especially infused the horror film genre, contributing supernatural and nightmarish elements.

To create a Gothic atmosphere, filmmakers have sought to create new camera tricks that challenge audiences' perceptions. Gothic films also reflected contemporary issues. A New Companion to The Gothic's Heidi Kaye said "strong visuals, a focus on sexuality and an emphasis on audience response" characterize Gothic films like they did the literary works. The Encyclopedia of the Gothic said the foundation of Gothic film was the combination of Gothic literature, stage melodrama, and German expressionism.

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Film noir in the context of Crime drama

Crime film is a film belonging to the crime fiction genre. Films of this genre generally involve various aspects of crime. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense, or noir.

Screenwriter and scholar Eric R. Williams identified crime film as one of eleven super-genres in his Screenwriters Taxonomy, claiming that all feature-length narrative films can be classified by these super-genres.  The other ten super-genres are action, fantasy, horror, romance, science fiction, slice of life, sports, thriller, war and western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. Chinatown would be an example of a film that is a drama (film type) crime film (super-genre) that is also a noir (pathway) mystery (macro-genre).

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Film noir in the context of Otto Preminger

Otto Ludwig Preminger (/ˈprɛmɪnər/ PREM-in-jər; German: [ˈɔtoː ˈpreːmɪŋɐ] ; 5 December 1905 – 23 April 1986) was an Austrian-American film and theatre director, film producer and actor. He directed more than 35 feature films in a five-decade career after leaving the theatre, and was one of the most influential directors in Hollywood during the 1940s and 1950s. He was nominated for three Academy Awards, twice for Best Director and once for Best Picture, among many other accolades.

After achieving theatrical prominence in Vienna, Preminger emigrated to the United States in the mid-1930s, working as a director for 20th Century Fox. He first gained attention for film noir mysteries such as Laura (1944) and Fallen Angel (1945), while in the 1950s and 1960s, he directed high-profile adaptations of popular novels and stage works. Several of these later films pushed the boundaries of censorship by dealing with themes which were then taboo in Hollywood, such as premarital sexuality (The Moon Is Blue, 1953), drug addiction (The Man with the Golden Arm, 1955), rape (Anatomy of a Murder, 1959) and homosexuality (Advise & Consent, 1962). He also had several acting roles, most famously as a Nazi POW camp commandant in Stalag 17.

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Film noir in the context of Fred Zinnemann

Alfred Zinnemann (April 29, 1907 – March 14, 1997) was an Austrian and American film director, producer, and screenwriter. Born in Austria-Hungary and educated in France and Germany, Zinnemann began his career in Europe before emigrating to the US, where he specialized in shorts before making 25 feature films during his 50-year career. He won four Academy Awards, both for directing and producing, and made films in a variety of genres including thrillers, westerns, film noir, and stage adaptations.

Among his best-known films were The Search (1948), The Men (1950), High Noon (1952), From Here to Eternity (1953), Oklahoma! (1955), The Nun's Story (1959), The Sundowners (1960), A Man for All Seasons (1966), The Day of the Jackal (1973), and Julia (1977). His films received 65 Oscar nominations, winning 24; Zinnemann himself was nominated for 10, and won Best Director for From Here to Eternity (1953), Best Picture and Best Director for A Man for All Seasons (1966), and Best Documentary, Short Subjects for Benjy (1951).

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Film noir in the context of Suspicion (1941 film)

Suspicion is a 1941 American romantic psychological thriller film noir directed by Alfred Hitchcock, and starring Cary Grant and Joan Fontaine as a married couple. It also features Sir Cedric Hardwicke, Nigel Bruce, Dame May Whitty, Isabel Jeans, Heather Angel, and Leo G. Carroll. Suspicion is based on Francis Iles's 1932 novel Before the Fact.

For her role as Lina, Joan Fontaine won the Academy Award for Best Actress in 1941, making it the only Oscar-winning acting performance in an Alfred Hitchcock film. In the film, a romantically inexperienced woman marries a charming playboy after initially rejecting him. He turns out to be penniless, a gambler, and dishonest in the extreme. She comes to suspect that he is also a murderer, and that he is attempting to kill her.

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Film noir in the context of Shadow of a Doubt

Shadow of a Doubt is a 1943 American psychological thriller film noir directed by Alfred Hitchcock, and starring Teresa Wright and Joseph Cotten. Written by Thornton Wilder, Sally Benson, and Alma Reville, the film was nominated for an Academy Award for Best Story for Gordon McDonell.

The story follows Charlotte "Charlie" Newton and her family who live in very quiet Santa Rosa, California. An unexpected visit by Charles Oakley, her charming and sophisticated Uncle Charlie, brings much excitement to the family and the small town. That excitement turns to fear as young Charlie slowly begins to suspect that her uncle may be concealing a dark secret.

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Film noir in the context of Notorious (1946 film)

Notorious is a 1946 American spy film noir directed and produced by Alfred Hitchcock, starring Cary Grant, Ingrid Bergman, and Claude Rains as three people whose lives become intimately entangled during an espionage operation.

The film follows U.S. government agent T. R. Devlin (Grant), who enlists the help of Alicia Huberman (Bergman), the daughter of a convicted German spy, to infiltrate a group of German emigrés hiding out in Rio de Janeiro after World War II. The situation becomes complicated when the two fall in love as Huberman is instructed to seduce Alex Sebastian (Rains), an IG Farben executive who had previously been infatuated with her. It was shot in late 1945 and early 1946, and was released by RKO Radio Pictures in August 1946.

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