Film colorization (American English; or colourisation/colorisation [both British English], or colourization [Canadian English and Oxford English]) is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color segregation. The first examples date from the early 20th century, but colorization has become common with the advent of digital image processing.
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Film colorization in the context of Photograph
A photograph (also known as a photo, or more generically referred to as an image or picture) is an image created by light falling on a photosensitive surface, usually photographic film or an electronic image sensor. The process and practice of creating such images is called photography.
Most photographs are now created using a smartphone or camera, which uses a lens to focus the scene's visible wavelengths of light into a reproduction of what the human eye would perceive.
Film colorization in the context of A Trip to the Moon
A Trip to the Moon (French: Le Voyage dans la Lune [lə vwajaʒ dɑ̃ la lyn], transl. "The Journey to the Moon") is a 1902 French science-fiction adventure trick film written, directed and produced by Georges Méliès. Inspired by the Jules Verne novel From the Earth to the Moon (1865) and its sequel Around the Moon (1870), the film follows a group of astronomers who travel to the Moon in a cannon-propelled capsule, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return to Earth with a captive Selenite. Méliès leads an ensemble cast of French theatrical performers as the main character Professor Barbenfouillis.
Although the film disappeared into obscurity (after Méliès's retirement from the film industry) it was rediscovered around 1930, when Méliès's importance to the history of cinema was beginning to be recognised by film devotees. An original hand-colored print was discovered in 1993, and restored in 2011.