Fictional character in the context of "Dramatis personae"

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⭐ Core Definition: Fictional character

In fiction, a character is a person or being in a narrative (such as a novel, play or film). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word χαρακτήρ, the English word dates from the Restoration, although it became widely used after its appearance in Tom Jones by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed. (Before this development, the term dramatis personae, naturalized in English from Latin and meaning "masks of the drama", encapsulated the notion of characters from the literal aspect of masks.) A character, particularly when enacted by an actor in the theater or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practiced by actors or writers, has been called characterization.

A character who stands as a representative of a particular class or group of people is known as a type. Types include both stock characters and those that are more fully individualized. The characters in Henrik Ibsen's Hedda Gabler (1891) and August Strindberg's Miss Julie (1888), for example, are representative of specific positions in the social relations of class and gender, such that the conflicts between the characters reveal ideological conflicts.

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Fictional character in the context of Hero

A hero (feminine: heroine) is a real person or fictional character who, in the face of danger, combats adversity through feats of ingenuity, courage, or strength. The original hero type of classical epics did such things for the sake of glory and honor. Post-classical and modern heroes, on the other hand, perform great deeds or selfless acts for the common good instead of the classical goal of wealth, pride, and fame. The antonym of hero is villain. Other terms associated with the concept of hero may include good guy or white hat.

In classical literature, the hero is the main or revered character in heroic epic poetry celebrated through ancient legends of a people, often striving for military conquest and living by a continually flawed personal honor code. The definition of a hero has changed throughout time. Merriam Webster dictionary defines a hero as "a person who is admired for great or brave acts or fine qualities". Examples of heroes range from mythological figures, such as Gilgamesh and Iphigenia, to historical and modern figures, such as Joan of Arc, Giuseppe Garibaldi, Sophie Scholl, Alvin York, Audie Murphy, and Chuck Yeager, and fictional "superheroes", including Superman and Batman.

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Fictional character in the context of Alice (Alice's Adventures in Wonderland)

Alice is a fictional character and the titular protagonist of Lewis Carroll's children's novel Alice's Adventures in Wonderland (1865) and its sequel, Through the Looking-Glass (1871). A child in the mid-Victorian era, Alice unintentionally goes on an underground adventure after falling down a rabbit hole into Wonderland; in the sequel, she steps through a mirror into an alternative world.

The character originated in stories told by Carroll to entertain the Liddell sisters while rowing on the Isis with his friend Robinson Duckworth, and on subsequent rowing trips. Although she shares her given name with Alice Liddell, scholars disagree about the extent to which she was based upon Liddell. Characterized by Carroll as "loving and gentle", "courteous to all", "trustful", and "wildly curious", Alice has been variously seen as clever, well-mannered, and sceptical of authority, although some commentators find more negative aspects of her personality. Her appearance changed from Alice's Adventures Under Ground, the first draft of Alice's Adventures in Wonderland, to political cartoonist John Tenniel's illustrations of her in the two Alice books.

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Fictional character in the context of Geppetto

Geppetto (/əˈpɛt/ jə-PET-oh; Italian: [dʒepˈpetto]) is a fictional character in the 1883 Italian novel The Adventures of Pinocchio by Carlo Collodi. Geppetto is an elderly, impoverished woodcarver and the creator (and thus 'father') of Pinocchio. He wears a yellow wig resembling cornmeal mush (called polendina), and consequently his neighbors call him "Polendina" to annoy him. The name Geppetto is a Tuscan diminutive of the name Giuseppe (Italian for Joseph).

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Fictional character in the context of Jason Todd

Jason Peter Todd is a fictional character appearing in American comic books published by DC Comics. First appearing in Batman #357 in March 1983, he was created to succeed Dick Grayson as Robin, Batman's partner and sidekick. He initially shared a similar origin to Grayson, being the son of circus acrobats who were killed by criminals in Gotham (Dick's were killed by a local mob boss who sabotaged their trapeze while Jason's parents were killed by Killer Croc) and adopted by Bruce Wayne, Batman's alter ego, as his son and protégé. Following the Crisis on Infinite Earths event and the rebooting of DC's main comics universe, Jason's origin was changed to being a pre-teen street urchin and petty thief whom Bruce adopted and mentored after finding the boy attempting to steal the tires off the Batmobile. This origin has since become the standard for subsequent iterations of the character.

Following Max Allan Collins's revamping of Todd's origin story in Batman #408–411, the character was written by Jim Starlin, who had him become increasingly aggressive and reckless. This led DC Comics to conduct a telephone poll concerning the 1988 storyline "A Death in the Family" to determine whether the character should die at the Joker's hands. The poll ended with a narrow majority of votes in favor of killing Todd, resulting in his death. Subsequent stories dealt with Batman's guilt over failing to save him. The character was resurrected in the 2005 "Under the Hood" story arc, which saw him become a murderous villain known as the Red Hood. In the current New 52/DC Rebirth continuity, Todd is a more nuanced antihero who maintains a tense, albeit partially mended, relationship with Batman and has been accepted as a full member of the Batman family.

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Fictional character in the context of Black Adam

Black Adam (Teth-Adam) is a fictional character appearing in American comic books published by DC Comics. He was created by Otto Binder and C. C. Beck, and first appeared in the debut issue of Fawcett Comics' The Marvel Family comic book in December 1945. Since DC Comics licensed and acquired Fawcett's characters in the 1970s, Black Adam has endured as one of the most popular archenemies of the superhero Shazam and the Marvel Family alongside Doctor Sivana and Mister Mind.

Black Adam was originally depicted as a supervillain and the ancient magical champion predecessor of the champion Shazam, who fought his way to modern times to challenge the hero and his Marvel Family associates. Since the turn of the 21st century, however, Black Adam has been redefined by DC Comics writers Jerry Ordway, Geoff Johns, and David S. Goyer as an ancient Kahndaqi and corrupted antihero attempting to clear his name and reputation. He came from a fictional Middle Eastern country named Kahndaq, located at the southern tip of the Sinai Peninsula, and was portrayed as a hero who liberated his homeland from slavery. Featured roles in such comic book series as Justice Society of America, Villains United, Infinite Crisis, and 52 have elevated the character's prominence in the DC Universe, culminating with DC's 2021 line-wide Infinite Frontier relaunch, wherein he joins the Justice League. In 2009, Black Adam was ranked as IGN's 16th-greatest comic book villain of all time.

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