Ferdinando I de' Medici, Grand Duke of Tuscany in the context of "Grand Duke of Tuscany"

The National Archaeological Museum of Florence (Italian: Museo archeologico nazionale di Firenze) is an archaeological museum in Florence, Italy. It is located at 1 piazza Santissima Annunziata, in the Palazzo della Crocetta (a palace built in 1620 for princess Maria Maddalena de' Medici, daughter of Ferdinand I de Medici, by Giulio Parigi).

Ali Janbulad Pasha (transliterated in Turkish as Canbolatoğlu Ali Paşa; died 1 March 1610) was a Kurdish tribal chief from Kilis and a rebel Ottoman governor of Aleppo who wielded practical supremacy over Syria in c. 1606–1607. His rebellion, launched to avenge the execution of his uncle Huseyn ibn Janbulad by the commander Jigalazade Sinan Pasha in 1605, gained currency among northern Syria's Kurdish, Turkmen and Arab tribes and expanded to include local Syrian governors and chiefs, most prominently Fakhr al-Din Ma'n of Mount Lebanon and his erstwhile enemy Yusuf Sayfa Pasha of Tripoli. Ali formed a secret military alliance with the Grand Duke of Tuscany, Ferdinand I, with the explicit aim of jointly destroying the Ottoman Empire and establishing the Janbulad family as the sovereigns of Syria.

Ali's burgeoning ties with several Celali revolt leaders, whose influence spanned central Anatolia, Cilicia and part of Mesopotamia, posed a major threat to the Empire at a time in which it was at war with Austria-Hungary in the west and Safavid Iran in the east. The prospect of a foreign-backed, wide-scale rebellion in the Ottoman heartland prompted Grand Vizier Kuyucu Murad Pasha to launch an expedition against Ali. The latter publicly maintained his loyalty to Sultan Ahmed I throughout his rebellion and his practical control of Aleppo was formalized with his appointment as beylerbey in September 1606. Murad Pasha's campaign against Ali was ostensibly directed against the Safavids to avoid Ali's mobilization; the latter realized he was the grand vizier's target only when Murad Pasha's army routed his Celali allies in Cilicia and approached his north Syrian domains. The grand vizier's army of Rumeli and Anatolian troops routed and mass executed Ali's rebel sekbans (musketeers) at the Amik Valley in October 1607, but Ali escaped, first to Aleppo then to the Euphrates valley. Through the mediation of his uncle Haydar ibn Janbulad and other representatives, he was pardoned by the sultan in 1608 and appointed beylerbey of Temeşvar several months later. Machinations against him by the local elites and Janissaries there compelled him to seek refuge in Belgrade in April 1609. Murad Pasha ordered his arrest there in the summer and he was executed in March 1610.

The Villa Medici (Italian pronunciation: [ˈvilla ˈmɛːditʃi]) is a sixteenth-century Italian Mannerist villa and an architectural complex with 7-hectare Italian garden, contiguous with the more extensive Borghese gardens, on the Pincian Hill next to Trinità dei Monti in the historic centre of Rome, Italy.

The Villa Medici, founded by Ferdinando I de' Medici, Grand Duke of Tuscany and now property of the French State, has housed the French Academy in Rome and has welcomed winners of the Rome Prize since 1803, to promote and represent artistic creation in all its fields, an instance being the musical evocation of its garden fountains features in Ottorino Respighi's Fountains of Rome.

Maria Maddalena de' Medici (29 June 1600 – 28 December 1633) was a Tuscan princess, the eighth child and third daughter of Ferdinando I and Christina of Lorraine, making her the sister of Cosimo II.

The intermedio [interˈmɛːdjo] (also intromessa, introdutto, tramessa, tramezzo, intermezzo, intermedii), in the Italian Renaissance, was a theatrical performance or spectacle with music and often dance, which was performed between the acts of a play to celebrate special occasions in Italian courts. It was one of the important precursors to opera, and an influence on other forms like the English court masque. Weddings in ruling families and similar state occasions were the usual occasion for the most lavish intermedi, in cities such as Florence and Ferrara. Some of the best documentation of intermedi comes from weddings of the House of Medici, in particular the 1589 Medici wedding (between Christina of Lorraine and Ferdinando I de' Medici, Grand Duke of Tuscany), which featured what was undoubtedly both the most spectacular set of intermedi, and the best known, thanks to no fewer than 18 contemporary published festival books and sets of prints that were financed by the Grand Duke.

Intermedi were written and performed from the late 15th century through the 17th century, although the peak of development of the genre was in the late 16th century. After 1600 the form merged with opera, for the most part, though intermedi continued to be used in non-musical plays in certain settings (for example in academies), and also continued to be performed between the acts of operas.