Facsimile in the context of "Diary"

A replica is an exact (usually 1:1 in scale) copy or remake of an object, made out of the same raw materials, whether a work of art, or a commercial product. The term is also used for copies that closely resemble the original, without claiming to be identical. Copies or reproductions of documents, books, manuscripts, maps or art prints are called facsimiles.

Replicas have been sometimes sold as originals, a type of fraud. Most replicas have more innocent purposes. Fragile originals need protection, while the public can examine a replica in a museum. Replicas are often manufactured and sold as souvenirs.

Bodoni (/bəˈdoʊni/, Italian: [boˈdoːni]) is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. Bodoni's typefaces are classified as Didone or modern. Bodoni followed the ideas of John Baskerville, as found in the printing type Baskerville—increased stroke contrast reflecting developing printing technology and a more vertical axis—but he took them to a more extreme conclusion. Bodoni had a long career and his designs changed and varied, ending with a typeface of a slightly condensed underlying structure with flat, unbracketed serifs, extreme contrast between thick and thin strokes, and an overall geometric construction.

When first released, Bodoni and other didone fonts were called classical designs because of their rational structure. However, these fonts were not updated versions of Roman or Renaissance letter styles, but new designs. They came to be called 'modern' serif fonts; since the mid-20th century, they are also known as Didone designs.

Military communications or military signals involve all aspects of communications, or conveyance of information, by armed forces. Examples from Jane's Military Communications include text, audio, facsimile, tactical ground-based communications, naval signalling, terrestrial microwave, tropospheric scatter, satellite communications systems and equipment, surveillance and signal analysis, security, direction finding and jamming. The most urgent purposes are to communicate information to commanders and orders from them.

Military communications span from pre-history to the present. The earliest military communications were delivered by runners. Later, communications progressed to visual signals. For example, Naval ships would use flag signaling to communicate from ship to ship. These flags are a uniform set of easily identifiable nautical codes that would convey visual messages and codes between ships and from ship to shore. Then militaries discovered methods to use audible signaling to communicate with each other. This way of communicating was possible because of telegraphs. They are an electronic device that is used by a sender and when the sender presses on the telegraph key, they interrupt the current creating an audible pulse that is heard at the receiving station. The receiver then decodes the pulses to decode the messages. Since then, military communication has evolved and advanced much further. Today, there are many perspectives used to examine how troops around the world communicate. Anthony King states how Military sociologists have attempted to explain how military institutions develop and maintain high levels of social cohesion. Communication plays a crucial role in fostering social cohesion in the military, as it allows soldiers to build relationships, establish trust, and work together towards common objectives.

Electrotyping (also galvanoplasty) is a chemical method for forming metal parts that exactly reproduce a model. The method was invented by a Prussian engineer Moritz von Jacobi in Russia in 1838, and was immediately adopted for applications in printing and several other fields. As described in an 1890 treatise, electrotyping produces "an exact facsimile of any object having an irregular surface, whether it be an engraved steel- or copper-plate, a wood-cut, or a form of set-up type, to be used for printing; or a medal, medallion, statue, bust, or even a natural object, for art purposes."

In art, several important "bronze" sculptures created in the 19th century are actually electrotyped copper, and not bronze at all; sculptures were executed using electrotyping at least into the 1930s. In printing, electrotyping had become a standard method for producing plates for letterpress printing by the late 1800s. It complemented the older technology of stereotyping, which involved metal casting. By 1901, stereotypers and electrotypers in several countries had formed labor unions around these crafts. The unions persisted into the 1970s, but by the late 20th century, after more than a century in widespread use for preparing plates, the two technologies had been bypassed by the transitions to offset printing and to new techniques for the preparation of printing plates.

Adam of Bremen (Latin: Adamus Bremensis; German: Adam von Bremen; before 1050 – 12 October 1081/1085) was a German medieval chronicler. He lived and worked in the second half of the eleventh century. Adam is most famous for his chronicle Gesta Hammaburgensis ecclesiae pontificum (Deeds of Bishops of the Hamburg Church). He was "one of the foremost historians and early ethnographers of the medieval period".

In his chronicle, he included a chapter mentioning the Norse outpost of Vinland, and was thus the first European to write about the New World.

The Holy Cross Sermons (Polish: Kazania świętokrzyskie) are the oldest extant prose text in the Polish language, probably dating from the late 13th century, although the extant manuscripts date to the 14th century. The documents are named after the place where they were originally housed – the Holy Cross Monastery (pl) in Poland's Holy Cross Mountains (Polish: Góry Świętokrzyskie). They were discovered in 1890 by Aleksander Brückner, in the form of parchment pieces cut into reinforcing strips, inside the binding of a Latin language codex, which contained the Acts of the Apostles and the Apocalypse. The sermons were first published in 1891, in a "Philological Works" ("Prace Filologiczne") magazine. In 1934, facsimiles of the text were published by the Polish Academy of Learning, and in 2009, new, full edition of the sermons was issued, prepared by professor Paweł Stępień.