Face to Face (1967 film) in the context of "University lecturer"

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⭐ Core Definition: Face to Face (1967 film)

Face to Face (Italian: Faccia a faccia; Spanish: Cara a cara German: Halleluja, der Teufel lässt Euch grüßen) is a 1967 Italian/Spanish international co-production Spaghetti Western film co-written and directed by Sergio Sollima and produced by Alberto Grimaldi. The film stars Gian Maria Volonté, Tomas Milian and William Berger, and features a musical score by Ennio Morricone. It is the second of Sollima's three Westerns, following The Big Gundown and predating Run, Man, Run, a sequel to the former. Milian stars in a lead role in all three films.

The film portrays the unlikely partnership of Professor Fletcher (Volonté), a university lecturer, and "Beauregard" Bennet (Milian), a wanted outlaw, and a series of events that results in an exchange of their moral values, culminating in Fletcher taking control of Bennet's bandit gang. Frequently interpreted as a parable based on the rise of European fascism, the story and themes of Face to Face were based on Sollima's wartime experiences, and his personal beliefs on the role of environments and societies in the shaping of a person's character.

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Face to Face (1967 film) in the context of Gian Maria Volonté

Gian Maria Volonté (9 April 1933 – 6 December 1994) was an Italian actor and activist. He is best known for his roles in four Spaghetti Western films: Ramón Rojo in Sergio Leone's A Fistful of Dollars (1964), El Indio in Leone's For a Few Dollars More (1965), El Chuncho Munoz in Damiano Damiani's A Bullet for the General (1966) and Professor Brad Fletcher in Sergio Sollima's Face to Face (1967).

He had notable roles in high-profile social dramas depicting the political and social stirrings of Italian and European society in the 1960s and 1970s, including four films directed by Elio PetriWe Still Kill the Old Way (1967), Investigation of a Citizen Above Suspicion (1970), The Working Class Goes to Heaven (1971), and Todo modo (1976). He is also recognized for his performances in Jean-Pierre Melville's Le Cercle Rouge (1970), Giuliano Montaldo's Sacco & Vanzetti (1971) and Giordano Bruno (1973), and Francesco Rosi's Christ Stopped at Eboli (1979).

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