Facade in the context of "James A. Farley Building"

The United Nations Secretariat Building is a skyscraper at the headquarters of the United Nations in the Turtle Bay neighborhood of Manhattan in New York City. It contains the offices of the United Nations Secretariat, the executive organ of the United Nations (UN). The building, designed in the International Style, is 505 ft (154 m) tall with 39 above-ground stories. It was designed by a group of architects led by Wallace Harrison. Although the building is located within the United States, the site is under UN jurisdiction, so the building is exempt from some local regulations.

The Secretariat Building is designed as a rectangular slab measuring 72 by 287 ft (22 by 87 m); it is oriented from north to south and is connected with other UN headquarters buildings. The wider western and eastern elevations of the facade are glass curtain walls, while the narrower northern and southern elevations are made of marble. The Secretariat Building has 889,000 sq ft (82,600 m) of space. There are press offices, staff rooms, and other functions on the lower stories. The Secretariat offices are placed on the upper stories, which were originally arranged in a modular layout. The building also features various pieces of artwork. The building's style has inspired the construction of other glass curtain wall buildings in Manhattan.

The New York Times Building is a 52-story skyscraper at 620 Eighth Avenue, between 40th and 41st Streets near Times Square, on the west side of Midtown Manhattan in New York City, New York, U.S. Its chief tenant is the New York Times Company, publisher of The New York Times. The building is 1,046 ft (318.8 m) tall to its pinnacle, with a roof height of 748 ft (228 m). Designed by Renzo Piano and Fox & Fowle, the building was developed by the New York Times Company, Forest City Ratner, and ING Real Estate. The interiors are divided into separate ownership units, with the New York Times Company operating the lower office floors and Brookfield Properties operating the upper floors. As of 2025, the New York Times Building is tied with the Chrysler Building as the thirteenth-tallest building in the city.

The building is cruciform in plan and has a steel-framed superstructure with a braced mechanical core. It consists of the office tower on the west side of the land lot as well as four-story podium on the east side. Its facade is largely composed of a glass curtain wall, in front of which are ceramic rods that deflect heat and glare. The steel framing and bracing is exposed at the four corner "notches" of the building. The New York Times Building is designed as a green building. The lower stories have a lobby, retail space, and the Times newsroom surrounding an enclosed garden. The other stories are used as office space.

The Hungarian University of Agriculture and Life Sciences is a university of technology in Hungary. Its headquarters and main campus are located about 30 kilometres from the capital, Budapest, in the Central Hungarian town of Gödöllő. Other campuses are based in Budapest, Békéscsaba, Gyula, Jászberény and Szarvas.

The university was established in 2000 from the merge of several previously independent institutions—the oldest of these being the former University of Veterinary Medicine Budapest, founded in 1787. (Note: In 2016, the University of Veterinary Medicine Budapest regained its independence thus it is no longer part of the SZIU.) The Szent István University is named after Hungarian King Stephen I (the Saint). The current rector of the university is Dr. János Tőzsér.

The Crown Building (formerly the Heckscher Building and Genesco Building) is a 25-story, 416-foot-tall (127 m) building at 730 Fifth Avenue, on the southwest corner of Fifth Avenue and 57th Street, in the Midtown Manhattan neighborhood of New York City. Constructed between 1920 and 1922 for the philanthropist August Heckscher, the structure was designed by Warren and Wetmore as an office building. The lower levels contain retail space, while the upper levels became the luxury Aman New York hotel and residences in 2022. The structure has been a New York City designated landmark since 2024.

The building's stepped setback design was regulated by the 1916 Zoning Resolution. Its exterior includes French Renaissance details and is divided into a nine-story base, a twelve-story shaft, and a four-story octagonal pyramidal roof. The facade is largely made of limestone, with brick and terracotta detailing, along with 1,363 ounces (38,600 g) of gold leaf. The lower stories include retail stores, while the upper stories originally contained offices before they were redesigned by Jean-Michel Gathy in the 2020s. The upper stories are split up into 22 condominium residences, 83 hotel rooms, and amenity spaces such as a spa and three restaurants. Over the years, the building has received commentary for its general shape and for the design of its roof.

590 Madison Avenue, also known as the IBM Building, is a skyscraper at 57th Street and Madison Avenue in the Midtown Manhattan neighborhood of New York City. Designed by Edward Larrabee Barnes and Associates the 41-story, 603-foot (184 m)-tall tower was developed for the technology company IBM and built from 1978 to 1983.

The building is shaped like an irregular pentagon, with a chamfer cutting diagonally across what would typically be the southwest corner of a rectangular slab. The facade is made of gray-green glass and polished granite, which Barnes intended would give the building the appearance of a prism. The northeast corner of the tower is cantilevered over the main entrance, and there are no setbacks throughout the building's height. Adjacent to 590 Madison Avenue's southwest corner is a privately owned public space covered by a glass structure, which contains chairs, tables, and bamboo trees.

In classical architecture, an architrave (/ˈɑːrkɪˌtreɪv/; from Italian architrave 'chief beam'), also called an epistyle (from Ancient Greek ἐπίστυλον (epístulon) 'on the column'), is the lintel or beam, typically made of wood or stone, that rests on the capitals of columns.

The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint).

Contemporary architecture is the architecture of the 21st century. No single style is dominant. Contemporary architects work in several different styles, from postmodernism, high-tech architecture and new references and interpretations of traditional architecture like New Classical architecture to highly conceptual forms and designs, resembling sculpture on an enormous scale. Some of these styles and approaches make use of very advanced technology and modern building materials, such as tube structures which allow construction of buildings that are taller, lighter and stronger than those in the 20th century, while others prioritize the use of natural and ecological materials like stone, wood and lime. One technology that is common to all forms of contemporary architecture is the use of new techniques of computer-aided design, which allow buildings to be designed and modeled on computers in three dimensions, and constructed with more precision and speed.

Contemporary buildings and styles vary greatly. Some feature concrete structures wrapped in glass or aluminium screens, very asymmetric facades, and cantilevered sections which hang over the street. Skyscrapers twist, or break into crystal-like facets. Facades are designed to shimmer or change color at different times of day.

High-tech architecture, also known as structural expressionism, is a type of late modernist architecture that emerged in the 1970s, incorporating elements of high tech industry and technology into building design. High-tech architecture grew from the modernist style, utilizing new advances in technology and building materials. It emphasizes transparency in design and construction, seeking to communicate the underlying structure and function of a building throughout its interior and exterior. High-tech architecture makes extensive use of aluminium, steel, glass, and to a lesser extent concrete (the technology for which had developed earlier), as these materials were becoming more advanced and available in a wider variety of forms at the time the style was developing – generally, advancements in a trend towards lightness of weight.

High-tech architecture focuses on creating adaptable buildings through choice of materials, internal structural elements, and programmatic design. It seeks to avoid links to the past, and as such eschews building materials commonly used in older styles of architecture. Common elements include hanging or overhanging floors, a lack of internal load-bearing walls, and reconfigurable spaces. Some buildings incorporate prominent, bright colors in an attempt to evoke the sense of a drawing or diagram. High-tech utilizes a focus on factory aesthetics and a large central space serviced by many smaller maintenance areas to evoke a feeling of openness, honesty, and transparency.

The John Golden Theatre, formerly the Theatre Masque and Masque Theater, is a Broadway theater at 252 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City, New York, U.S. Opened in 1927, the Golden Theatre was designed by Herbert J. Krapp in a Spanish style and was built for real-estate developer Irwin S. Chanin. It has 800 seats across two levels and is operated by the Shubert Organization. Both the facade and the auditorium interior are New York City landmarks.

The facade is designed in a Spanish style with golden brick, terracotta, and stone. The ground floor, which contains the theater's entrance, is clad in rusticated blocks of terracotta above a granite water table. Above are a set of three double-height arches, as well as two terracotta plaques. The facade is topped by a loggia. The auditorium contains Spanish-style detailing, a large balcony, and a rib-arched ceiling. Due to the theater's small size, it lacks box seats. The balcony, proscenium arch, and exit arches are ornately decorated, with geometric panels and twisting colonettes.

The Bernard B. Jacobs Theatre (formerly the Royale Theatre and the John Golden Theatre) is a Broadway theater at 242 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City, New York, U.S. Opened in 1927, the theater was designed by Herbert J. Krapp in a Spanish style and was built for real-estate developer Irwin S. Chanin. It has 1,100 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks.

The facade is designed in a Spanish style with golden brick, terracotta, and stone and is divided into two sections. The western portion of the facade contains the theater's entrance, with five double-height arched windows and a curved pediment above. The eastern portion is the stage house and is topped by a loggia. The auditorium contains Spanish-style detailing, a large balcony, and an expansive vaulted ceiling. The auditorium's interior features murals by Willy Pogany as well as several box seats.