Extended vocal technique in the context of "Meredith Monk"

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⭐ Core Definition: Extended vocal technique

Vocalists are capable of producing a variety of extended technique sounds. These alternative singing techniques have been used extensively in the 20th century, especially in art song and opera. Particularly famous examples of extended vocal technique can be found in the music of Luciano Berio, John Cage, George Crumb, Peter Maxwell Davies, Hans Werner Henze, György Ligeti, Demetrio Stratos, Meredith Monk, Giacinto Scelsi, Arnold Schoenberg, Salvatore Sciarrino, Karlheinz Stockhausen, Tim Foust, Avi Kaplan, and Trevor Wishart.

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Extended vocal technique in the context of Screaming (music)

Screaming is an extended vocal technique that is usually harsh, loud and aggressive. While a few other genres have used screaming, it is especially popular in hardcore punk and extreme metal. Proper technique is required to scream safely, and some vocalists have experienced health issues due to improper screaming.

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Extended vocal technique in the context of Eight Songs for a Mad King

Eight Songs for a Mad King is a monodrama by Sir Peter Maxwell Davies with a libretto by Randolph Stow, based on words of George III. The work was written for the South-African actor Roy Hart and the composer's ensemble, the Pierrot Players. It was premiered on 22 April 1969.

Lasting half an hour, it is scored for a baritone with an extraordinary command of extended vocal techniques covering more than five octaves, and six players (Pierrot ensemble + percussion):

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