Exposition Universelle (1867) in the context of Musée de la Marine (Rochefort)


Exposition Universelle (1867) in the context of Musée de la Marine (Rochefort)

⭐ Core Definition: Exposition Universelle (1867)

The Exposition Universelle of 1867 (French pronunciation: [ɛkspozisjɔ̃ ynivɛʁsɛl]), better known in English as the 1867 Paris Exposition, was a world's fair held in Paris, France, from 1 April to 3 November 1867. It was the second of ten major expositions held in the city between 1855 and 1937. A number of nations were represented at the fair. Following a decree of Emperor Napoleon III, the exposition was prepared as early as 1864, in the midst of the renovation of Paris, marking the culmination of the Second French Empire. Visitors included Tsar Alexander II of Russia, a brother of the King William and Otto von Bismarck of Prussia, Prince Metternich and Franz Josef of Austria, Ottoman Sultan Abdülaziz, and the Khedive of Egypt Isma'il.

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👉 Exposition Universelle (1867) in the context of Musée de la Marine (Rochefort)

The Musée national de la Marine in Rochefort is one of the main naval museums of France.

Rochefort Naval museum is part of the Musée national de la Marine, which is organised around its main location in Paris, and it antennas in Rochefort, Toulon, Brest and Port-Louis.

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Exposition Universelle (1867) in the context of Twenty Thousand Leagues Under the Seas

Twenty Thousand Leagues Under the Seas (French: Vingt Mille Lieues sous Les Mers) is a science fiction adventure novel by the French writer Jules Verne. It is considered a classic within its genres and world literature. It was originally serialised from March 1869 to June 1870 in Pierre-Jules Hetzel's French fortnightly periodical, the Magasin d'éducation et de récréation. A deluxe octavo edition, published by Hetzel in November 1871, included 111 illustrations by Alphonse de Neuville and Édouard Riou.

It was widely acclaimed on its release, and remains so; it is regarded as one of the premier adventure novels and one of Verne's greatest works, along with Around the World in Eighty Days, Journey to the Center of the Earth and Michael Strogoff. Its depiction of Captain Nemo's submarine, Nautilus, is regarded as ahead of its time, as it accurately describes many features of modern submarines, which in the 1860s were comparatively primitive vessels. Verne was inspired by a model of the French submarine Plongeur, which he saw at the Exposition Universelle in 1867.

View the full Wikipedia page for Twenty Thousand Leagues Under the Seas
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