A krater or crater (Ancient Greek: κρᾱτήρ, romanized: krātḗr, lit. 'mixing vessel', IPA: [kraː.tɛ̌ːr]; Latin: crātēr, IPA: [ˈkraː.teːr]) was a large two-handled type of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water.
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👉 Volute krater in the context of Aeolus (son of Hellen)
In Greek mythology, Aeolus or Aiolos (/ˈiːələs/; Ancient Greek: Αἴολος [ǎi̯.olos]; Modern Greek: Αίολος [ˈe.olos] ) was the son of Hellen, the ruler of Aeolia (later called Thessaly), and the eponym of the Aeolians, one of the four main tribes of the Greeks. According to the mythographer Apollodorus, Aeolus was the father of seven sons: Cretheus, Sisyphus, Athamas, Salmoneus, Deion, Magnes, Perieres, and five daughters: Canace, Alcyone, Pisidice, Calyce, and Perimede. He was said to have killed his daughter Canace (or forced her to kill herself) because she had committed incest with her brother Macareus. This Aeolus was sometimes confused with the Aeolus who was the ruler of the winds.
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Volute krater in the context of Hellen
In Greek mythology, Hellen (/ˈhɛlɪn/ ; Ancient Greek: Ἕλλην, romanized: Héllēn) is the eponymous progenitor of the Hellenes. He is the son of Deucalion (or Zeus) and Pyrrha, and the father of three sons, Dorus, Xuthus, and Aeolus, by whom he is the ancestor of the Greek peoples.
Volute krater in the context of Campanian vase painting
Campanian vase painting is one of the five regional styles of South Italian red-figure vase painting fabricated in Magna Graecia. It forms a close stylistic community with Apulian vase painting.
Campania produced red-figure vases in the 5th and 4th centuries BC. The sand-coloured to light brown clay (lighter than other South Italian clays) of Campania was covered with a slip that developed a pink or red tint after firing, creating an appearance very similar to that of Attic vases. The popular white or bright paints were visually especially striking on this. Women are usually by the use of white paint to depict their skin. The Campanian painters preferred smaller vessel types, but also hydriai and bell kraters. The most popular shape is the bail-amphora. Many typical Apulian vessel shapes, like volute kraters, column kraters, loutrophoroi, rhyta and nestoris amphorae are absent, pelikes are rare. The repertoire of motifs is limited. Subjects include youths, women, thiasos scenes, birds and animals, and often native Samnite warriors. The backs often show cloaked youths. Mythological scenes and depictions related to burial rites play a subsidiary role. Naiskos scenes, ornamental elements and polychromy are adopted after 340 BC under Lucanian influence. The bell-shaped flowers used as ornaments are very different from the ornaments used in other South Italian styles. At 4,000 known vases, the Campanian style is the second most common in the region (after Apulian).