Eugène Pirou in the context of "Jules Massenet"

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⭐ Core Definition: Eugène Pirou

Louis Eugène Pirou (26 September 1841 – 30 September 1909) was a French photographer and filmmaker, known primarily for his portraits of celebrities and scenes from the Paris Commune. He was awarded a gold medal at the Exposition Universelle of 1889.

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👉 Eugène Pirou in the context of Jules Massenet

Jules Émile Frédéric Massenet (French pronunciation: [ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.

While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading composer of opera in France in the late 19th and early 20th centuries.

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Eugène Pirou in the context of Jean-Baptiste Claude Eugène Guillaume

Jean-Baptiste Claude Eugène Guillaume (4 July 1822, Montbard – 1 March 1905, Rome) was a French sculptor.

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Eugène Pirou in the context of Jean-André Rixens

Jean-André Rixens (30 November 1846 – 21 February 1925) was a French painter, known for his classical scenes and portraits.

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Eugène Pirou in the context of Pornography

Pornography (colloquially called porn or porno) is sexually suggestive material, such as a picture, video, text, or audio, intended for sexual arousal. Made for consumption by adults, pornographic depictions have evolved from cave paintings, some forty millennia ago, to modern-day virtual reality presentations. A general distinction of adults-only sexual content is made, classifying it as pornography or erotica.

The oldest artifacts considered pornographic were discovered in Germany in 2008 and are dated to be at least 35,000 years old. Human enchantment with sexual imagery representations has been a constant throughout history. However, the reception of such imagery varied according to the historical, cultural, and national contexts. The Indian Sanskrit text Kama Sutra (3rd century CE) contained prose, poetry, and illustrations regarding sexual behavior, and the book was celebrated; while the British English text Fanny Hill (1748), considered "the first original English prose pornography," has been one of the most prosecuted and banned books. In the late 19th century, a film by Thomas Edison that depicted a kiss was denounced as obscene in the United States, whereas Eugène Pirou's 1896 film Bedtime for the Bride was received very favorably in France. Starting from the mid-twentieth century on, societal attitudes towards sexuality became lenient in the Western world where legal definitions of obscenity were made limited. In 1969, Blue Movie by Andy Warhol became the first film to depict unsimulated sex that received a wide theatrical release in the United States. This was followed by the "Golden Age of Porn" (1969–1984). The introduction of home video and the World Wide Web in the late 20th century led to global growth in the pornography business. Beginning in the 21st century, greater access to the Internet and affordable smartphones made pornography more mainstream.

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Eugène Pirou in the context of Le Coucher de la Mariée

Le Coucher de la Mariée (Bedtime for the Bride or The Bridegroom's Dilemma) is a French erotic short film considered to be one of the first erotic films ever made. The film was first screened in Paris in November 1896, within a year of the first public screening of a projected motion picture. The film was produced by Eugène Pirou and directed by Albert Kirchner (under the pseudonym "Léar"). It features a risqué (for the time) striptease, but does not end in nudity.

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