Eugene Onegin in the context of Masculine rhyme

Eugene Onegin (Russian: Евгений Онегин, romanized: Yevgény Onégin, IPA: [jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn] ), Op. 24, is an opera (designated as "lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825–1832 novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1.

Eugene Onegin is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend.

44°54′51″N 35°14′5″E / 44.91417°N 35.23472°E / 44.91417; 35.23472

The Devil's Gate (Crimean Tatar: şeytan qapu) or Golden Gate (Altın Qapı) is an arch-like cliff near the Kara Dag Mountain in the Crimea. The cliff was supposed to have marked a gateway to hell. It is popular with tourists and carnelian hunters. Alexander Pushkin is thought to have been the first to depict the cliff, on the margins of his verse novel Eugene Onegin.

An enemy or a foe is an individual or a group that is considered as forcefully adverse or threatening. The concept of an enemy has been observed to be "basic for both individuals and communities". The term "enemy" serves the social function of designating a particular entity as a threat, thereby invoking an intense emotional response to that entity. The state of being or having an enemy is enmity, foehood or foeship.

Andrey Andreyevich Markov (14 June [O.S. 2 June] 1856 – 20 July 1922) was a Russian mathematician celebrated for his pioneering work in stochastic processes. He extended foundational results—such as the law of large numbers and the central limit theorem—to sequences of dependent random variables, laying the groundwork for what would become known as Markov chains. To illustrate his methods, he analyzed the distribution of vowels and consonants in Alexander Pushkin's Eugene Onegin, treating letters purely as abstract categories and stripping away any poetic or semantic content.

He was also a strong chess player.

Onegin is a ballet created by John Cranko for the Stuttgart Ballet that premiered on 13 April 1965 at Staatstheater Stuttgart. The ballet was based on Alexander Pushkin's 1825–1832 novel Eugene Onegin, to music by Pyotr Ilyich Tchaikovsky and arrangements by Kurt-Heinz Stolze. The ballet has since been in the repertoires of The Australian Ballet, National Ballet of Canada, American Ballet Theatre and The Royal Ballet.