Etcher in the context of "Photochemical machining"

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⭐ Core Definition: Etcher

Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling, it is a crucial technique in modern technology, including circuit boards.

In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of acid, known as the mordant (French for "biting") or etchant, or has acid washed over it. The acid "bites" into the metal (it undergoes a redox reaction) to a depth depending on time and acid strength, leaving behind the drawing (as carved into the wax) on the metal plate. The remaining ground is then cleaned off the plate. For first and renewed uses the plate is inked in any chosen non-corrosive ink all over and the surface ink drained and wiped clean, leaving ink in the etched forms.

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Etcher in the context of Claude Lorrain

Claude Lorrain (French: [klod lɔ.ʁɛ̃]; born Claude Gellée [ʒəle], called le Lorrain in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a painter, draughtsman and etcher of the Baroque era originally from the Duchy of Lorraine. He spent most of his life in Italy, and is one of the earliest significant artists, aside from his contemporaries in Dutch Golden Age painting, to concentrate on landscape painting. His landscapes often transitioned into the more prestigious genre of history paintings by addition of a few small figures, typically representing a scene from the Bible or classical mythology.

By the end of the 1630s he was established as the leading landscapist in Italy, and enjoyed large fees for his work. His landscapes gradually became larger, but with fewer figures, more carefully painted, and produced at a lower rate. He was not generally an innovator in landscape painting, except in introducing the sun and streaming sunlight into many paintings, which had been rare before. He is now thought of as a French painter, but was born in the independent Duchy of Lorraine, and almost all his painting was done in Italy; before the late 19th century he was regarded as a painter of the "Roman School". His patrons were also mostly Italian, but after his death he became very popular with English collectors, and the UK retains a high proportion of his works.

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Etcher in the context of Luigi Schiavonetti

Luigi Schiavonetti (1 April 1765 – 7 June 1810) was an Italian reproductive engraver and etcher.

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Etcher in the context of Lorenz Frølich

Lorenz Frølich (25 October 1820 – 25 October 1908) was a Danish painter, illustrator, graphic artist and etcher.

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Etcher in the context of Ludovico Carracci

Ludovico (or Lodovico) Carracci (/kəˈrɑːi/ kə-RAH-chee, UK also /kəˈrætʃi/ kə-RATCH-ee, Italian: [ludoˈviːko karˈrattʃi, lod-]; 21 April 1555 – 13 November 1619) was an Italian early-Baroque painter, etcher, and printmaker from Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619.

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Etcher in the context of Emil Orlík

Emil Orlík (21 July 1870 – 28 September 1932) was a Czech painter, etcher and lithographer. He and lived and worked in Prague, Austria and Germany.

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Etcher in the context of Alexandre Jacovleff

Alexandre Yevgenievich Jacovleff (also spelt Lacovleff or Yakovlev, Russian: Александр Евгеньевич Яковлев; 25 June [O.S. 13 June] 1887 – 12 May 1938) was a neoclassicist painter, draughtsman, designer and etcher.

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Etcher in the context of William Hole (artist)

William Brassey Hole RSA (7 November 1846 – 22 October 1917) was a Scottish Victorian painter, illustrator, etcher, and engraver. He was known for his industrial, historical and biblical scenes.

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Etcher in the context of Samuel Palmer

Samuel Palmer RWS Hon.RE (Hon. Fellow of the Society of Painter-Etchers) (27 January 1805 – 24 May 1881) was a British landscape painter, etcher and printmaker. He was also a prolific writer. Palmer was a key figure in Romanticism in Britain and produced visionary pastoral paintings.

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Etcher in the context of Simone Cantarini

Simone Cantarini or Simone da Pesaro, called il Pesarese (Baptized on 21 August 1612 – 15 October 1648) was an Italian painter and etcher. He is known mainly for his history paintings and portraits executed in an original style, which united aspects of Bolognese classicism with a bold naturalism.

Cantarini was also an etcher who achieved extraordinary delicacy and a vibrant and luminous quality in his graphic work.

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