Ernst Cassirer in the context of Philosophy of culture

Weimar culture was the emergence of the arts and sciences that happened in Germany during the Weimar Republic, the latter during that part of the interwar period between Germany's defeat in World War I in 1918 and Hitler's rise to power in 1933. 1920s Berlin was at the hectic center of the Weimar culture. Although not part of the Weimar Republic, German-speaking Austria, and particularly Vienna, is also sometimes included as part of Weimar culture.

Germany, and Berlin in particular, was fertile ground for intellectuals, artists, and innovators from many fields during the Weimar Republic years. The social environment was chaotic, and politics were passionate. German university faculties became universally open to Jewish scholars in 1918. Leading Jewish intellectuals on university faculties included physicist Albert Einstein; sociologists Karl Mannheim, Erich Fromm, Theodor Adorno, Max Horkheimer, and Herbert Marcuse; philosophers Ernst Cassirer and Edmund Husserl; political theorists Arthur Rosenberg and Gustav Meyer; and many others. Nine German citizens were awarded Nobel Prizes during the Weimar Republic, five of whom were Jewish scientists, including two in medicine. Jewish intellectuals and creative professionals were among the prominent figures in many areas of Weimar culture.

Animal symbolicum ("symbol-making" or "symbolizing animal") is a definition for humans proposed by the German neo-Kantian philosopher Ernst Cassirer.

The tradition since Aristotle has defined a human being as animal rationale (a rational animal). However, Cassirer claimed that man's outstanding characteristic is not in his metaphysical or physical nature, but rather in his work. Humanity cannot be known directly, but has to be known through the analysis of the symbolic universe that man has created historically. Thus man should be defined as animal symbolicum (a symbol-making or symbolizing animal). On this basis, Cassirer sought to understand human nature by exploring symbolic forms in all aspects of a human being's experience. His work is represented in his three-volume Philosophie der Symbolischen Formen (1923–9, translated as The Philosophy of Symbolic Forms) and is summarized in his An Essay on Man. W. J. T. Mitchell used this term in his essay on "representation" to say that