Erik Satie in the context of "Conservatoire de Paris"

The Rive Gauche (French pronunciation: [riv ɡoʃ]; Left Bank) is the southern bank of the river Seine in Paris. Here the river flows roughly westward, splitting the city into two parts. When facing downstream, the southern bank is to the left, whereas the northern bank (or Rive Droite) is to the right.

The Rive Gauche is associated with artists, writers, and philosophers including Colette, Margaret Anderson, Djuna Barnes, Natalie Barney, Sylvia Beach, Erik Satie, Kay Boyle, Bryher, Caresse Crosby, Nancy Cunard, H.D., Janet Flanner, Jane Heap, Maria Jolas, Mina Loy, Henry Miller, Adrienne Monnier, Anaïs Nin, Jean Rhys, Gertrude Stein, Alice B. Toklas, Renee Vivien, Edith Wharton Pablo Picasso, Arthur Rimbaud, Paul Verlaine, Henri Matisse, Jean-Paul Sartre, Ernest Hemingway, F. Scott Fitzgerald, James Baldwin, and dozens of members of the great artistic community at Montparnasse. The phrase implies a sense of bohemianism, counterculture, and creativity. Some of its famous streets are the Boulevard Saint-Germain, Boulevard Saint-Michel, the Rue de Vaugirard, and Rue Bonaparte.

Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. Often "peaceful" sounding and lacking composition, beat, and/or structured melody, ambient music uses textural layers of sound that can reward both passive and active listening, and encourage a sense of calm or contemplation. The genre evokes an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and some works use sustained or repeated notes, as in drone music. Bearing elements associated with new-age music, instruments such as the piano, strings and flute may be emulated through a synthesizer.

The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, Jamaican dub music and German electronic music, but was prominently named and popularized by British musician Brian Eno in 1978 with his album Ambient 1: Music for Airports; Eno opined that ambient music "must be as ignorable as it is interesting", however, in early years, there were artists that were pioneers in this genre, like Tangerine Dream, Klaus Schulze, Wendy Carlos, Kraftwerk, etc. It saw a revival towards the late 1980s with the prominence of house and techno music, growing a cult following by the 1990s.

Ragtime, also spelled rag-time or rag time, is a musical style that was popular and heavily influenced musical genres such as the Blues, and was seen in the United States from the 1890s to 1910s. Its signature trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott, and Joseph Lamb. Ragtime pieces (often called "rags") are typically composed for and performed on the piano, though the genre has been adapted for a variety of instruments and styles.

Ragtime music originated within African American communities in the late 19th century and became a distinctly American form of popular music. It is closely related to marches. Ragtime pieces usually contain several distinct themes, often arranged in patterns of repeats and reprises. Scott Joplin, known as the "King of Ragtime", gained fame through compositions like "Maple Leaf Rag" and "The Entertainer". Ragtime influenced early jazz, Harlem stride piano, Piedmont blues, and early 20th century European classical composers such as Erik Satie, Claude Debussy, and Igor Stravinsky. Despite being overshadowed by jazz in the 1920s, ragtime has experienced several revivals, notably in the 1950s and 1970s (the latter renaissance due in large part to the use of "The Entertainer" in the film The Sting). The music was distributed primarily through sheet music and piano rolls, with some compositions adapted for other instruments and ensembles.

The Ballets Russes (French: [balɛ ʁys]) was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there.

Originally conceived by impresario Sergei Diaghilev, the Ballets Russes is widely regarded as the most influential ballet company of the 20th century, in part because it promoted ground-breaking artistic collaborations among young choreographers, composers, designers, and dancers, all at the forefront of their several fields. Diaghilev commissioned works from composers such as Igor Stravinsky, Claude Debussy, Sergei Prokofiev, Erik Satie, and Maurice Ravel, artists such as Vasily Kandinsky, Alexandre Benois, Konstantin Korovin, Nicholas Roerich, Pablo Picasso, and Henri Matisse, and costume designers Léon Bakst, Ivan Bilibin and Coco Chanel.

An autograph or holograph is a manuscript or document written in its author's or composer's hand. The meaning of "autograph" as a document penned entirely by the author of its content (as opposed to a typeset document or one written by a copyist or scribe other than the author) overlaps with that of "holograph".

Autograph manuscripts are studied by scholars (such as historians and paleographers), and can become collectable objects. Holographic documents have, in some jurisdictions, a specific legal standing.

Francis Jean Marcel Poulenc (French: [fʁɑ̃sis ʒɑ̃ maʁsɛl pulɛ̃k]; 7 January 1899 – 30 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite Trois mouvements perpétuels (1919), the ballet Les biches (1923), the Concert champêtre (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera Dialogues des Carmélites (1957), and the Gloria (1959) for soprano, choir, and orchestra.

As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a conservatoire. He studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as "Les Six". In his early works Poulenc became known for his high spirits and irreverence. During the 1930s a much more serious side to his nature emerged, particularly in the religious music he composed from 1936 onwards, which he alternated with his more light-hearted works.

Furniture music, or in French musique d’ameublement (sometimes more literally translated as furnishing music), is background music originally played by live performers. The term was coined by Erik Satie in 1917.

Entr'acte is a silent French Dada short film directed by René Clair. It premiered on 4 December 1924 at the Théâtre des Champs-Élysées in Paris as a prologue and entr'acte for the Ballets Suédois production of Relâche, based on a book by Francis Picabia, which had settings by Picabia, was produced by Rolf de Maré, and was choreographed by Jean Börlin. The music for both the ballet and the film was composed by Erik Satie.