Epona in the context of "Celtic polytheism"

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⭐ Core Definition: Epona

In Gallo-Roman religion, Epona was a protector of horses, ponies, donkeys, and mules. She was particularly a goddess of fertility, as shown by her attributes of a patera, cornucopia, ears of grain, and the presence of foals in some sculptures. She and her horses might also have been leaders of the soul in the after-life ride, with later literary parallels in Rhiannon of the Mabinogion. The worship of Epona, "the sole Celtic divinity ultimately worshipped in Rome itself", as the patroness of cavalry, was widespread in the Roman Empire between the first and third centuries AD; this is unusual for a Celtic deity, most of whom were associated with specific localities.

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Epona in the context of Gallo-Roman culture

Gallo-Roman culture was a consequence of the Romanization of Gauls under the rule of the Roman Empire in Roman Gaul. It was characterized by the Gaulish adoption or adaptation of Roman culture, language, morals and way of life in a uniquely Gaulish context. The well-studied meld of cultures in Gaul gives historians a model against which to compare and contrast parallel developments of Romanization in other less-studied Roman provinces.

Interpretatio romana offered Roman names for Gaulish deities such as the smith-god Gobannus; however, of the Celtic deities, only the horse-patroness Epona penetrated Romanized cultures beyond the confines of Gaul.

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Epona in the context of Celtic paganism

Ancient Celtic religion, commonly known as Celtic paganism, was the religion of the ancient Celtic peoples of Europe. Because there are no extant native records of their beliefs, evidence about their religion is gleaned from archaeology, Greco-Roman accounts (some of them hostile and probably not well-informed), and literature from the early Christian period. Celtic paganism was one of a larger group of polytheistic Indo-European religions of Iron Age Europe.

While the specific deities worshipped varied by region and over time, underlying this were broad similarities in both deities and "a basic religious homogeneity" among the Celtic peoples. Widely worshipped Celtic gods included Lugus, Toutatis, Taranis, Cernunnos, Epona, Maponos, Belenos, and Sucellos. Sacred springs were often associated with Celtic healing deities. Triplicity is a common theme, with a number of deities seen as threefold, for example the Three Mothers.

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Epona in the context of Mattiaci

The Mattiaci were by Tacitus recorded as an ancient Germanic tribe and related to the Chatti, their Germanic neighbors to the east. There is no clear definition of what the tribe's name meant. The Dictionary of Greek and Roman Geography suggests that the name is derived from a combination of 'matte', meaning 'a meadow', and 'ach' (pronounced with the 'ch' as in 'loch'), signifying water or a bath.

The Mattiaci were settled on border of the Roman Empire on the right side of the Rhine in the area of present-day Wiesbaden (Aquae Mattiacorum), the southern Taunus, and the Wetterau. Archaeological evidence of Wiesbaden cannot prove their alleged origin. While the worship of various Gaulic deities like Sirona or Epona is attested, there is so far no evidence for Germanic gods nor for specific products of Germanic origin.

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Epona in the context of Celtic deities

The gods and goddesses of the pre-Christian Celtic peoples are known from a variety of sources, including ancient places of worship, statues, engravings, cult objects, and place or personal names. The ancient Celts appear to have had a pantheon of deities comparable to others in Indo-European religion, each linked to aspects of life and the natural world. By a process of syncretism, after the Roman conquest of Celtic areas, most of these became associated with their Roman equivalents, and their worship continued until Christianization. Epona was an exception and retained without association with any Roman deity. Pre-Roman Celtic art produced few images of deities, and these are hard to identify, lacking inscriptions, but in the post-conquest period many more images were made, some with inscriptions naming the deity. Most of the specific information we have therefore comes from Latin writers and the archaeology of the post-conquest period. More tentatively, links can be made between ancient Celtic deities and figures in early medieval Irish and Welsh literature, although all these works were produced well after Christianization.

The locus classicus for the Celtic gods of Gaul is the passage in Julius Caesar's Commentarii de Bello Gallico (The Gallic War, 52–51 BC) in which he names six of them, together with their functions. He says that Mercury was the most honoured of all the deities and many images of him were to be found. Mercury was regarded as the inventor of all the arts, the patron of travellers and of merchants, and the most powerful deity in matters of commerce and gain. After him, the Gauls honoured Apollo, who drove away diseases, Mars, who controlled war, Jupiter, who ruled the heavens, and Minerva, who promoted handicrafts. He adds that the Gauls regarded a god he likened to Dis Pater as their ancestor.

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Epona in the context of Gallo-Roman religion

Gallo-Roman religion is a fusion of the traditional religious practices of the Gauls, who were originally Gaulish language speakers, and the Roman and Hellenistic religions introduced to the region under Roman Imperial rule. It was the result of selective acculturation.

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