Epistates in the context of Free city (classical antiquity)


Epistates in the context of Free city (classical antiquity)

⭐ Core Definition: Epistates

An epistates (Greek: ἐπιστάτης; plural ἐπιστάται, epistatai) in ancient Greece was any sort of superintendent or overseer. In the Hellenistic kingdoms generally, an epistates is always connected with a subject district (a regional assembly), where the epistates, as resident representative of the king, exercised control and collected taxes.

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Epistates in the context of Civitas libera

A free city (Latin: civitas libera, urbs liberae condicionis; Greek: ἐλευθέρα καὶ αὐτόνομος πόλις) was a self-governed city during the Hellenistic and Roman Imperial eras. The status was given by the king or emperor, who nevertheless supervised the city's affairs through his epistates or curator (Greek: epimeletes) respectively. Several autonomous cities had also the right to issue civic coinage bearing the name of the city.

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Epistates in the context of Theatre of Dionysos

The Theatre of Dionysus (or Theatre of Dionysos, Greek: Θέατρο του Διονύσου) is an ancient Greek theatre in Athens. It is built on the south slope of the Acropolis hill, originally part of the sanctuary of Dionysus Eleuthereus (Dionysus the Liberator). The first orchestra terrace was constructed on the site around the mid- to late-sixth century BC, where it hosted the City Dionysia. The theatre reached its fullest extent in the fourth century BC under the epistates of Lycurgus , when it would have had a capacity of up to 25,000, and was in continuous use down to the Roman period. The theatre then fell into decay in the Byzantine era and was not identified, excavated and restored to its current condition until the nineteenth century.

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