Epic poetry

A rhapsode (Greek: ῥαψῳδός, "rhapsōidos") or, in modern usage, rhapsodist, refers to a classical Greek professional performer of epic poetry in the fifth and fourth centuries BC (and perhaps earlier). Rhapsodes notably performed the epics of Homer (Iliad and Odyssey) but also the wisdom and catalogue poetry of Hesiod and the satires of Archilochus and others. Plato's dialogue Ion, in which Socrates confronts a star player rhapsode, remains the most coherent source of information on these artists. Often, rhapsodes are depicted in Greek art, wearing their signature cloak and carrying a staff. This equipment is also characteristic of travellers in general, implying that rhapsodes were itinerant performers, moving from town to town. Rhapsodes originated in Ionia, which has been sometimes regarded as Homer's birthplace, and were also known as Homeridai, disciples of Homer, or "singers of stitched lays."

Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the origin and nature of the world; the lives and activities of deities, heroes, and mythological creatures; and the origins and significance of the ancient Greeks' cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of mythmaking itself.

The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer's epic poems, the Iliad and the Odyssey. Two poems by Homer's near contemporary Hesiod, the Theogony and the Works and Days, contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, and the origin of sacrificial practices. Myths are also preserved in the Homeric Hymns, in fragments of epic poems of the Epic Cycle, in lyric poems, in the works of the tragedians and comedians of the fifth century BC, in writings of scholars and poets of the Hellenistic Age, and in texts from the time of the Roman Empire by writers such as Plutarch and Pausanias.

Oral-formulaic composition is a theory that originated in the scholarly study of epic poetry and developed in the second quarter of the twentieth century. It seeks to explain two related issues:

1. the process by which oral poets improvise poetry
2. the reasons for orally improvised poetry (or written poetry deriving from traditions of oral improvisation) having the characteristics that it does

The key idea of the theory is that poets have a store of formulae (a formula being 'an expression that is regularly used, under the same metrical conditions, to express a particular essential idea') and that by linking the formulae in conventionalised ways, poets can rapidly compose verse. Antoine Meillet expressed the idea in 1923, thus:

The Cypria (/ˈsɪpri.ə/; Ancient Greek: Κύπρια, romanized: Kýpria; Latin: Cypria) is a lost epic poem of ancient Greek literature, which has been attributed to Stasinus and was quite well known in classical antiquity and fixed in a received text, but which subsequently was lost to view. It was part of the Epic Cycle, which told the entire history of the Trojan War in epic hexameter verse. The story of the Cypria comes chronologically at the beginning of the Epic Cycle, and is followed by that of the Iliad; the composition of the two was apparently in the reverse order. The poem comprised eleven books of verse in epic dactylic hexameters.

The Aithiopis (/iːˈθaɪəpɪs/; Ancient Greek: Αἰθιοπίς, romanized: Aithiopís), also spelled Aethiopis, is a lost epic of ancient Greek literature. It was one of the Epic Cycle, which told the entire history of the Trojan War in epic verse. The story of the Aethiopis lands chronologically after the Homeric Iliad, and could be followed by that of the Little Iliad. The Aethiopis was often attributed by ancient writers to Arctinus of Miletus who lived in the 8th century BC (see Cyclic poets). The poem comprised five books of verse in dactylic hexameter. Very few fragments of the Aethiopis survive today; Proclus's summary of the poem's contents establishes the narrative framework of the epic.

The Little Iliad (Greek: Ἰλιὰς μικρά, Ilias mikra; Latin: parva Ilias) is a lost epic of ancient Greek literature. It was one of the Epic Cycle, that is, the Trojan cycle, which told the entire history of the Trojan War in epic verse. The story of the Little Iliad comes chronologically after that of the Aethiopis, and is followed by that of the Iliou persis ("Sack of Troy"). The Little Iliad was variously attributed by ancient writers to Lesches of Pyrrha (7th century BCE), Cinaethon of Sparta (8th century BCE), Diodorus of Erythrae, Thestorides of Phocaea, or Homer himself (8th century BCE) (see Cyclic poets). The poem comprised four books of verse in dactylic hexameter, the heroic meter.

The Iliupersis (Greek: Ἰλίου πέρσις, Ilíou pérsis, lit. 'Sack of Ilium'), also known as The Sack of Troy, is a lost epic of ancient Greek literature. It was one of the Epic Cycle, that is, the Trojan cycle, which told the entire history of the Trojan War in epic verse. The story of the Iliou persis comes chronologically after that of the Little Iliad, and is followed by the Nostoi ("Returns"). The Iliou persis was sometimes attributed by ancient writers to Arctinus of Miletus who lived in the 8th century BCE (see Cyclic Poets). The poem comprised two books of verse in dactylic hexameter.

The Nostoi (Greek: Νόστοι Nóstoi, sg. nostos lit. 'return home'), also known as Returns or Returns of the Greeks, is a lost epic poem of ancient Greek literature. A part of the Epic Cycle, also known as Trojan cycle, it narrated the stories of the Achaean heroes returning to Greece after the end of the Trojan War. The story of the Nostoi comes chronologically after that of the Iliupersis (Sack of Ilium), and is followed by that of the Odyssey. The author of the Nostoi is uncertain; ancient writers attributed the poem variously to Agias (8th century BC), Homer (8th century BC), and Eumelos of Corinth (8th century BC) (see Cyclic Poets). The poem comprised five books of verse in dactylic hexameter.

The Telegony (Ancient Greek: Τηλεγόνεια or Τηλεγονία, romanized: Tēlegóneia, Tēlegonía) is a lost epic poem of Ancient Greek literature. It is named after Telegonus, the son of Odysseus by Circe, whose name ("born far away") is indicative of his birth on Aeaea, far from Odysseus' home of Ithaca. It was part of the Epic Cycle of poems that recounted the myths of the Trojan War as well as the events that led up to and followed it. The story of the Telegony comes chronologically after that of the Odyssey and is the final episode in the Epic Cycle. The poem was sometimes attributed in antiquity to Cinaethon of Sparta (8th century BC), but in one source it is said to have been stolen from Musaeus by Eugammon of Cyrene (6th century BC) (see Cyclic poets). Its contents are known from surviving summaries by later authors, most notably Eutychius Proclus. The poem comprised two books of verse in dactylic hexameter.

Heer Ranjha (Punjabi: [ɦiɾ ɾaːnd͡ʒ(ʱ)aː]) is a classical Punjabi folk tragedy with many historic poetic narrations; with the first one penned by Damodar Gulati in 1600s, on the preexisting oral legend; and the most famous one, Heer, written by Waris Shah in 1766, in the form of an epic. Set in Takht Hazara and Tilla Jogian, it follows the story of love, forced separation, and eventual simultaneous demise of two youths in the Punjabi countryside.

It is one of the four popular tragic romances of the Punjab. The other three are Mirza Sahiban, Sohni Mahiwal and Sassi Punnun.