The designation "Renaissance philosophy" is used by historians of philosophy to refer to the thought of the period running in Europe roughly between 1400 and 1600. It therefore overlaps both with late medieval philosophy, which in the fourteenth and fifteenth centuries was influenced by notable figures such as Albert the Great, Thomas Aquinas, William of Ockham, and Marsilius of Padua, and early modern philosophy, which conventionally starts with René Descartes and his publication of the Discourse on Method in 1637.
>>>PUT SHARE BUTTONS HERE<<<
👉 Renaissance philosophy in the context of Renaissance art
Renaissance art (1350 – 1620) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age.
The body of art, including painting, sculpture, architecture, music and literature identified as "Renaissance art" was primarily produced during the 14th, 15th, and 16th centuries in Europe under the combined influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man. Scholars no longer believe that the Renaissance marked an abrupt break with medieval values, as is suggested by the French word renaissance, literally meaning "rebirth". In many parts of Europe, Early Renaissance art was created in parallel with Late Medieval art.
In this Dossier
Renaissance philosophy in the context of Leucippus
Leucippus (/luːˈsɪpəs/; Λεύκιππος, Leúkippos; fl. 5th century BCE) was a pre-Socratic Greek philosopher. He is traditionally credited as the founder of atomism, which he developed with his student Democritus. Leucippus divided the world into two entities: atoms, indivisible particles that make up all things, and the void, the nothingness that exists between the atoms. He developed his philosophy as a response to the Eleatics, who believed that all things are one and the void does not exist. Leucippus's ideas were influential in ancient and Renaissance philosophy. Leucippus was the first Western philosopher to develop the concept of atoms, but his ideas only bear a superficial resemblance to modern atomic theory.
Leucippus's atoms come in infinitely many forms and exist in constant motion, creating a deterministic world in which everything is caused by the collisions of atoms. Leucippus described the beginning of the cosmos as a vortex of atoms that formed the Earth, the Sun, the stars, and other celestial bodies. As Leucippus considered both atoms and the void to be infinite, he presumed that other worlds must exist as cosmoses are formed elsewhere. Leucippus and Democritus described the soul as an arrangement of spherical atoms, which are cycled through the body through respiration and create thought and sensory input.