Elf (Middle-earth) in the context of "Earthly Paradise"

J. R. R. Tolkien, a fantasy author and professional philologist, drew on the Old English poem Beowulf for multiple aspects of his Middle-earth legendarium, alongside other influences. He used elements such as names, monsters, and the structure of society in a heroic age. He emulated its style, creating an impression of depth and adopting an elegiac tone. Tolkien admired the way that Beowulf, written by a Christian looking back at a pagan past, just as he was, embodied a "large symbolism" without ever becoming allegorical. He worked to echo the symbolism of life's road and individual heroism in The Lord of the Rings.

The names of races, including ents, orcs, and elves, and place names such as Orthanc and Meduseld, derive from Beowulf. The werebear Beorn in The Hobbit has been likened to the hero Beowulf himself; both names mean "bear" and both characters have enormous strength. Scholars have compared some of Tolkien's monsters to those in Beowulf. Both his trolls and Gollum share attributes with Grendel, while Smaug's characteristics closely match those of the Beowulf dragon.Tolkien's Riders of Rohan are distinctively Old English, and he has made use of multiple elements of Beowulf in creating them, including their language, culture, and poetry.The godlike Valar, their earthly paradise of Valinor, and the Old Straight Road that allowed the elves to sail to it, may all derive from the Scyld Scefing passage at the start of the poem.

In J. R. R. Tolkien's Middle-earth fiction, Man and Men denote humans, whether male or female, in contrast to Elves, Dwarves, Orcs, and other humanoid races. Men are described as the second or younger people, created after the Elves, and differing from them in being mortal. Along with Ents and Dwarves, these are the "free peoples" of Middle-earth, differing from the enslaved peoples such as Orcs.

Tolkien uses the Men of Middle-earth, interacting with immortal Elves, to explore a variety of themes in The Lord of the Rings, especially death and immortality. This appears throughout, but is the central theme of an appendix, "The Tale of Aragorn and Arwen". Where the Hobbits stand for simple, earthbound, comfort-loving people, Men are far more varied, from petty villains and slow-witted publicans to the gentle warrior Faramir and the genuinely heroic Aragorn; Tolkien had wanted to create a heroic romance suitable for the modern age. Scholars have identified real-world analogues for each of the varied races of Men, whether from medieval times or classical antiquity.

Aragorn (Sindarin: [ˈaraɡɔrn]) is a fictional character and a protagonist in J. R. R. Tolkien's The Lord of the Rings. Aragorn is a Ranger of the North, first introduced with the name Strider and later revealed to be the heir of Isildur, an ancient King of Arnor and Gondor. Aragorn is a confidant of the wizard Gandalf and plays a part in the quest to destroy the One Ring and defeat the Dark Lord Sauron. As a young man, Aragorn falls in love with the immortal elf Arwen, as told in "The Tale of Aragorn and Arwen". Arwen's father, Elrond Half-elven, forbids them to marry unless Aragorn becomes King of both Arnor and Gondor.

Aragorn leads the Company of the Ring following the loss of Gandalf in the Mines of Moria. When the Fellowship is broken, he tracks the hobbits Meriadoc Brandybuck and Peregrin Took with the help of Legolas the elf and Gimli the dwarf to Fangorn Forest. He fights in the battle at Helm's Deep and the Battle of the Pelennor Fields. After defeating Sauron's forces in Gondor, he leads the armies of Gondor and Rohan against the Black Gate of Mordor, distracting Sauron's attention and enabling Frodo Baggins and Samwise Gamgee to destroy the One Ring. Aragorn is proclaimed King by the people of Gondor and crowned King of both Gondor and Arnor. He marries Arwen and rules for 122 years.

Legolas (Sindarin: [ˈlɛɡɔlas]) is a fictional character in J. R. R. Tolkien's The Lord of the Rings. He is a Sindar Elf of the Woodland Realm and son of its king, Thranduil, becoming one of the nine members of the Fellowship who set out to destroy the One Ring. Though Dwarves and Elves are traditionally rivals, he and the Dwarf Gimli form a close friendship during their travels together.

Commentators have noted that Legolas serves as a typical Elf in the story, demonstrating more-than-human abilities such as seeing farther than anyone else in Rohan and sensing the memory of a long-lost Elvish civilisation in the stones of Hollin.

Gimli is a fictional character in J. R. R. Tolkien's Middle-earth, appearing in The Lord of the Rings. A dwarf warrior, he is the son of Glóin, a member of Thorin's company in Tolkien's earlier book The Hobbit. He represents the race of Dwarves as a member of the Fellowship of the Ring. As such, he is one of the primary characters in the story. In the course of the adventure, Gimli aids the Ring-bearer Frodo Baggins, participates in the War of the Ring, and becomes close friends with Legolas, overcoming an ancient enmity of Dwarves and Elves.

Scholars have commented that Gimli is unlike other dwarves in being free from their characteristic greed for gold. They note, too, that he is unique in being granted the gift of Galadriel's hair, something that she had refused to Fëanor. The events recall the Norse legend Njáls saga, where a gift of hair is refused, with fateful consequences.

Bilbo Baggins (Westron: Bilba Labingi) is the title character and protagonist of J. R. R. Tolkien's 1937 novel The Hobbit, a supporting character in The Lord of the Rings, and the fictional narrator (along with Frodo Baggins) of many of Tolkien's Middle-earth writings. The Hobbit is selected by the wizard Gandalf to help Thorin and his party of Dwarves reclaim their ancestral home and treasure, which has been seized by the dragon Smaug. Bilbo sets out in The Hobbit timid and comfort-loving and, through his adventures, grows to become a useful and resourceful member of the quest.

Bilbo's way of life in the Shire, defined by features like the availability of tobacco and postal service, recalls that of the English middle class during the Victorian to Edwardian eras. This is not compatible with the much older world of Dwarves and Elves. Tolkien appears to have based Bilbo on the designer William Morris's travels in Iceland; Morris liked his home comforts but grew through his adventurous journeying. Bilbo's quest has been interpreted as a pilgrimage of grace, in which he grows in both wisdom and virtue, and as a psychological journey towards wholeness.

In J. R. R. Tolkien's Middle-earth fiction, Man or Men denote humans, whether male or female, adult or child, in contrast to Elves, Hobbits, Dwarves, Orcs, and other sentient races. Men are described as the second or younger people, created after the Elves, and differing from them in being mortal. Along with Ents and Dwarves, these are the "free peoples" of Middle-earth, differing from the enslaved peoples such as Orcs.

Tolkien uses the Men of Middle-earth, interacting with immortal Elves, to explore a variety of themes in The Lord of the Rings, especially death and immortality. This appears throughout, but is the central theme of an appendix, "The Tale of Aragorn and Arwen". Where the Hobbits stand for simple, earthbound, comfort-loving people, Men are far more varied, from petty villains and slow-witted publicans to the gentle warrior Faramir and the genuinely heroic Aragorn; Tolkien had wanted to create a heroic romance suitable for the modern age. Scholars have identified real-world analogues for each of the varied races of Men, whether from medieval times or classical antiquity.

"The Tale of Aragorn and Arwen" is a story within the Appendices of J. R. R. Tolkien's The Lord of the Rings. It narrates the love of the mortal Man Aragorn and the immortal Elf-maiden Arwen, telling the story of their first meeting, their eventual betrothal and marriage, and the circumstances of their deaths. Tolkien called the tale "really essential to the story". In contrast to the non-narrative appendices it extends the main story of the book to cover events both before and after it, one reason it would not fit in the main text. Tolkien gave another reason for its exclusion, namely that the main text is told from the hobbits' point of view.

The tale to some extent mirrors the "Tale of Beren and Lúthien", set in an earlier age of Middle-earth. This creates a feeling of historical depth, in what scholars note is an approach similar to that of Dante in his Inferno.