Electro (music) in the context of Vocoder

Electronic dance music (EDM), also referred to as dance music or club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres.

During the late 1980s to early 1990s, following the emergence of electronic music instruments, rave culture, pirate radio, party crews, underground festivals, and an upsurge of interest in club culture, EDM achieved mainstream popularity in Europe and Japan. However, rave culture was not as broadly popular in the United States; it was not typically seen outside of the regional scenes in New York City, Florida, the Midwest, and California. Although the pioneer genres of electro, Chicago house and Detroit techno were influential both in Europe and the United States, mainstream media outlets and the record industry in the United States remained openly hostile to it until the 1990s and beyond. There was also a perceived association between EDM and drug culture, which led governments at state and city levels to enact laws and policies intended to halt the spread of rave culture.

"Music" is a song recorded by American singer Madonna for her eighth studio album of the same title (2000). Inspired by a Sting concert Madonna attended, it was written and produced by her with Mirwais Ahmadzaï. It is an electropop, disco, electro-funk and dance-pop song in a static key of G-minor. Madonna's vocals are electronically manipulated on the track, with the lyrics having political and social undertones and reiterating the uniting power of music. The song was released as the lead single from Music on August 1, 2000, by Maverick Records and Warner Bros. Records.

Before its official release, "Music" leaked onto the internet and was put up for listening in websites like Napster, which prompted Madonna's team to issue a statement threatening legal action. The track had different release formats with a number of remixes commissioned for the song. Music critics praised the track's production, catchiness and club-friendly nature, and compared it with Madonna's previous releases. It charted at number one in Australia, Canada, the Czech Republic, Greece, Hungary, Iceland, Italy, Japan, New Zealand, Norway, Poland, Portugal, Romania, Spain, Switzerland, the United Kingdom and the United States. "Music" was also the longest running number-one song on the US Dance Club Play chart, spending a total of five weeks at the top. It has been included in many critic lists for Madonna's top singles and is often ranked as one of the best songs of the 2000s.

"Planet Rock" is a song by the American hip hop artists Afrika Bambaataa and the Soul Sonic Force. The song was produced by Arthur Baker and released by Tommy Boy Records in 1982. The recording came together after DJ and producer Baker met with Bambaataa and the two bonded over the idea of creating a song about their mutual appreciation for the band Kraftwerk, along with inspiration from Yellow Magic Orchestra, Gary Numan and George Clinton. Baker and Bambaataa had worked together previously on the song "Jazzy Sensation" and decided to compose a more electronic based version of the hip hop song with Roland TR-808 beats, as opposed to the more disco-oriented work popular at the time. Along with musician John Robie, the group recorded the single at Intergalactic Studios in New York. Robie duplicated the sound on the record and had Bambaataa's rappers in the Soul Sonic Force rap over it. To create the raps, the lyricist of the group, Emcee G.L.O.B.E., had to develop a style he called "mc popping", which involved rapping off time, an unusual style at the time.

The song quickly gained popularity, eventually earning a Gold record certification in the United States, the first for the group and label. The new musical style on the song later became known as electro. The song features simple lyrics discussing the power of music and having a fun time. After its release, the song began to get airtime on the radio. The use of Kraftwerk's music on the song was done without permission. The band approached the label and Tommy Boy's manager, Tom Silverman, eventually agreed to give Kraftwerk one dollar for every record sold. He increased the price of the single to make a return on the record. Attempts to get a full-length album for Bambaataa were not possible with Tommy Boy initially as Silverman's contract with him was strictly for singles and re-negotiating it proved difficult. "Planet Rock" later was released on the album titled Planet Rock: The Album in 1986.

Lance Taylor (born April 17, 1957), also known as Afrika Bambaataa (/ˌæfrɪkə bæmˈbɑːtə/), is a retired American DJ, rapper, and record producer. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing.

Through his co-opting of his street gang Black Spades into the music and culture-oriented organization Universal Zulu Nation, he has helped spread hip hop culture throughout the world.In May 2016, Bambaataa left his position as head of the Universal Zulu Nation due to multiple allegations of child sexual abuse dating as far back as the 1970s.

Zapp (also known as the Zapp Band, Zapp & Roger) is an American funk band that emerged from Dayton, Ohio, United States, in 1977. Particularly influential in the electro subgenre of funk, Zapp were known for their trademark use of the talk-box effect. The original line-up consisted of four Troutman brothers—frontman Roger, Larry, Lester and Terry—first cousin, Sherman Fleetwood—and non-Troutman family members Bobby Glover, Gregory Jackson, Jerome Derrickson, Eddie Barber, Jannetta Boyce and Shirley Murdock. Zapp also worked closely with George Clinton and Bootsy Collins of Parliament-Funkadelic during its early stages, their support being a factor in the group gaining a record deal with Warner Bros. Records in 1979.

Zapp released its eponymous debut album in 1980, and achieved mainstream recognition with the single "More Bounce to the Ounce". The group's 1982 follow-up Zapp II sold well and was certified gold. In the 1990s, Zapp would also influence the G-funk sound and the broader cultural scene of West Coast hip-hop itself. The band disbanded in 1999 after Roger and Larry Troutman died in an apparent murder-suicide executed by Larry. Zapp reformed briefly in 2003 with the remaining brothers of the Troutman family to produce the album Zapp VI: Back By Popular Demand.

West Street Mob were an American boogie and electro band, active between 1981 and 1984, best known for their 1983 song "Break Dance — Electric Boogie." The band comprised Joey Robinson, Jr., Warren Moore and singer Sabrina Gillison.

Warp 9, an American sci-fi-themed electro-funk hip hop group, is best known for its ground breaking, influential singles including "Nunk," "Light Years Away," and "Beat Wave," which ranked among the most iconic groups of the electro hip hop era. Described as the "perfect instance of hip hop's contemporary ramifications," Warp 9 was the brainchild of writer-producers Lotti Golden and Richard Scher. The duo wrote and recorded under the moniker Warp 9, a production project at the forefront of the electro movement.

Florida breaks, which may also be referred to as The Orlando Sound, Orlando breaks, or The Breaks, is a genre of breakbeat dance music that originated in the central region of Florida, United States.Florida Breaks draws on hip-hop, Miami bass and electro. It often includes samples of early jazz or funk beats from rare groove or popular film. It often features vocal elements. Compared to the hip-hop on which it is based, the style is faster, more syncopated, and has a heavier and unrelenting bassline. The beat frequently slows and breaks down complex beat patterns and then rebuilds. The genre has been described as being easy to dance to while creating an uplifting, happy, or positive mood in the listener.

Urban adult contemporary, often abbreviated as urban AC or UAC, (also known as adult R&B,) is the name for a format of radio music, similar to an urban contemporary format. Radio stations using this format usually would not have hip hop music on their playlists, and generally include some mix of contemporary R&B and traditional R&B (while urban oldies stations emphasize only the latter). Urban adult contemporary playlists generally consist of many different genres that originated amongst Black Americans including R&B, soul, funk, disco, jazz, pop, hip-hop, electro, quiet storm, gospel, new jack swing, and hip-hop soul.

Electropop is a popular music fusion genre combining elements of the electronic and pop styles. It has been described as a variant of synth-pop with emphasis on a hard electronic sound. The genre was developed in the 1980s and saw a revival of popularity and influence in the late 2000s. The genre is often confused with electro, which is sometimes called electro-pop. However, electro is a separate genre incorporating funk and early hip hop.

The Universal Zulu Nation is an international hip hop awareness group formed by electro/hip hop artist Afrika Bambaataa.

According to the website of the UZN, the Zulu Nation stands for "knowledge, wisdom, understanding, freedom, justice, equality, peace, unity, love, respect, work, fun, overcoming the negative to the positive, economics, mathematics, science, life, truth, facts, faith, and the oneness of god".