Electro-acoustic music in the context of "Audio art"

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Electro-acoustic music in the context of Sound art

Sound art is an artistic activity in which sound is utilized as a primary time-based medium or material. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. According to Brandon LaBelle, sound art as a practice "harnesses, describes, analyzes, performs, and interrogates the condition of sound and the process by which it operates."

In Western art, early examples include the Futurist Luigi Russolo's Intonarumori noise intoners (1913), and subsequent experiments by dadaists, surrealists, the Situationist International, and in Fluxus events and other Happenings. Because of the diversity of sound art, there is often debate about whether sound art falls within the domains of visual art or experimental music, or both. Other artistic lineages from which sound art emerges are conceptual art, minimalism, site-specific art, sound poetry, electro-acoustic music, spoken word, avant-garde poetry, sound scenography, and experimental theatre.

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Electro-acoustic music in the context of Nocturnal Emissions

Nocturnal Emissions is Nigel Ayers's sound art project that has released numerous records and CDs in music styles ranging from electro-acoustic, musique concrète, hybridised beats, sound collage, post-industrial music, ambient and noise music.Their sound art has been part of an ongoing multimedia campaign of guerrilla sign ontology utilizing video art, film, hypertext and other media, particularly collage.

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