Shawl in the context of "Himation"

In the context of clothing, a wrap is

• "A loose garment or article of feminine dress used or designed to envelop or fold about the person; a shawl, scarf, or the like."
• "a long piece of cloth worn around the shoulders for warmth or decoration, usually by women"
• "a loose piece of clothing that is worn tied around the body"

It can refer to a shawl or stole or other fabric wrapped about the upper body, or a simple skirt-type garment made by wrapping a piece of material round the lower body. Many people of all genders throughout the world wear wraps in everyday life, although in the West they are largely worn by women. They are sometimes sewn at the edges to form a tube which keeps the required size. A wrap may be secured by a corner being tucked beneath the wrapped material, by making a knot, or using ties, buttons or velcro.

The dupattā, also called chunni, chunari, chundari, lugda, rao/rawo, gandhi, pothi, orna, and odhni is a long shawl-like scarf traditionally worn by women in the Indian subcontinent. Traditionally, in India, the dupatta is part of the women's lehenga or ghagra/chaniya choli. A lehenga is a three-piece outfit which is made up of a skirt, called a ghagra or chaniya; a blouse, called a choli, and a dupatta. The dupatta is worn over one shoulder, and traditionally, married women would also wear the dupatta over the head in temples or in front of elders.

The dupatta is also worn as part of the shalwar kameez which is worn by women in India, Pakistan & Bangladesh, particularly in parts of northern India and Deccan region. The Punjabi suit is worn in Punjab and Pakistan, it is another three piece outfit made up of trousers, called pyjama or salwar; a top, called a kurta or kameez, and the dupatta.

A ball gown, ballgown or gown is a type of evening gown worn to a ball or a formal event. Most versions are cut off the shoulder with a low décolletage, exposed arms, and long bouffant styled skirts. Such gowns are typically worn with opera-length white gloves, vintage jewelry or couture, and a stole (a formal shawl in expensive fabric), cape, or cloak in lieu of a coat. Where "state decorations" are to be worn, they are on a bow pinned to the chest, and married women wear a tiara if they have one. Although synthetic fabrics are now sometimes used, the most common fabrics are satin, silk, taffeta and velvet with trimmings of lace, pearls, sequins, embroidery, ruffles, ribbons, rosettes and ruching.

Sydney Curnow Vosper RWS, RWA (29 October 1866 – 10 July 1942) was an English painter and etcher of landscapes and figure subjects. His later work has a close association with Wales and Brittany. His most famous work is Salem (1908), which shows an old woman in the Welsh national costume, with Welsh hat and shawl, attending a service at Salem Baptist Chapel, Pentre Gwynfryn.

Srinagar is a city in Indian-administered Jammu and Kashmir in the disputed Kashmir region. It is the largest city and summer capital of Jammu and Kashmir, which is an Indian-administered union territory. It lies in the Kashmir Valley along the banks of the Jhelum River, and the shores of Dal Lake and Anchar Lakes, between the Hari Parbat and Shankaracharya hills. The city is known for its natural environment, various gardens, waterfronts and houseboats. It is also known for traditional Kashmiri handicrafts like the Kashmir shawl (made of pashmina and cashmere wool), papier-mâché, wood carving, carpet weaving, and jewel making, as well as for dried fruits. It is the second-largest metropolitan area in the Himalayas (after Kathmandu, the capital of Nepal).

Founded in the 6th century during the rule of the Gonanda dynasty according to the Rajatarangini, the city took on the name of an earlier capital thought to have been founded by the Mauryas in its vicinity. The city remained the most important capital of the Kashmir Valley under the Hindu dynasties, and was a major centre of learning. During the 14th–16th centuries the city's old town saw major expansions, particularly under the Shah Mir dynasty, whose kings used various parts of it as their capitals. It became the spiritual centre of Kashmir, and attracted several Sufi preachers. It also started to emerge as a hub of shawl weaving and other Kashmiri handicrafts. In the late 16th century, the city became part of the Mughal Empire, many of whose emperors used it as their summer resort. Many Mughal gardens were built in the city and around Dal lake during this time, of which Shalimar and Nishat are the most well-known.

The serape, sarape or jorongo is a long blanket-like shawl or cloak, often brightly colored and fringed at the ends, worn in Mexico, especially by men. The spelling of the word sarape (or zarape) is the accepted form in Mexico and other Spanish-speaking countries. The term serape is for the rectangular woven blanket (no openings), though in more recent years it can also be used to refer to a very soft rectangular blanket with an opening in the middle for one's head, similar to a poncho, called gabán, or jorongo in Mexico. Modern variations of some serapes are made with matching hoods for head covering. The length varies, but front and back normally reach knee length on an average person.

Available in various colors and design patterns, the typical colors of serapes from the highland regions are two-tone combinations of black, grey, brown, or tan depending on the natural color of the sheep flocks grown in the area, with large design patterns utilizing traditional indigenous motifs. On the other hand, the traditional serape as made in the Mexican state of Coahuila in north-eastern Mexico near the city of Saltillo often consists of a dark base color with bands of yellow, orange, red, blue, green, purple, or other bright colors. The ends are usually fringed.

The Kashmir shawl, the predecessor of the contemporary cashmere shawl, is a type of shawl identified by its distinctive Kashmiri weave and for being made of fine shahtoosh or pashmina wool. Contemporary variants include the pashmina and shahtoosh shawls (often mononymously referred to simply as the pashmina and shahtoosh). In the late 20th century, they evolved to middle-class popularity through generic cashmere products (rather than the higher-grade pashmina), and raffal, shawls woven in the Kashmiri style, but using thicker Merino wool. Originally designed as a covering for men in India, it has evolved in the popular cultures of India, Europe, and the United States as indicators of nobility and rank, heirlooms giving on a girl's coming-of-age and marriage, and subsequently, as artistic elements in interior design.

Valued for its warmth, light weight and characteristic buta design, the Kashmir shawl trade inspired the global cashmere industry. The shawl evolved into its high-grade, sartorial use in the 13th century and was used in the 16th century by Mughal and Iranian emperors, both personally and for honouring members of their durbar. In the late 18th century, it arrived in Britain, and then in France, where its use by Queen Victoria and Empress Joséphine popularised it as a symbol of exotic luxury and status. The Kashmir shawl has since become a toponym for the Kashmir region itself (cashmere, named after Kashmir), inspiring mass-produced imitation industries in India and Europe, and popularising the buta motif, today known as the Paisley motif after the factories in Paisley, Renfrewshire, Scotland that sought to replicate it.