Kiyomizu-dera (Japanese: 清水寺; lit. 'Pure Water Monastery') is a Buddhist temple located in eastern Kyoto, Japan. It belongs to the Kita-Hosso sect of Japanese Buddhism and its honzon is a hibutsu statue of Jūichimen Kannon. The temple's full name is Otowa-san Kiyomizu-dera (音羽山 清水寺) . The temple is the 16th stop on the Saigoku Kannon Pilgrimage route. Along with Kōryū-ji and Kurama-dera, it is one of the few temples in Kyoto that predates the foundation of the capital to Heian-kyō. It is also one of Japan's leading temples dedicated to the worship of Kannon, along with Ishiyama-dera (Ōtsu, Shiga) and Hase-dera (Sakurai, Nara). It is a famous tourist destination in Kyoto City, attracting many pilgrims throughout the year. The temple is part of the Historic Monuments of Ancient Kyoto UNESCO World Heritage Site.
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Ekādaśamukha in the context of Shuilu Fahui
The Shuilu Fahui (Chinese: 水陸法會; lit. 'Water and Land Dharma Assembly') is a Chinese Buddhist ceremony typically performed with the aim of facilitating the nourishment and ultimate liberation of all sentient beings in saṃsāra. The service is often credited as one of the greatest rituals in Chinese Buddhism, as it is the most elaborate and requires the labor of monastics and temple staff and the financial funding of lay Buddhist sponsors. The full name of the ceremony is the Fajie Shengfan Shuilu Pudu Dazhai Shenghui (法界聖凡水陸普度大齋勝會), which translates to "Water and Land Universal Deliverance and Grand Feast Assembly for Saints and Ordinary Sentient Beings in the Dharma Realm."
The ceremony is attributed to the Emperor Wu of Liang, who was inspired one night when he had a dream in which a monk advised him to organize a ceremony to help all beings living on land and in the seas to be surfeited from their suffering, hence the name of the rite. Traditions hold that the ritual itself was first composed by Emperor Wu, with guidance from the Chan Buddhist master Baozhi (寶志), who is traditionally regarded as an emanation of Shiyimian Guanyin (十一面觀音; lit: "Eleven-Headed Guanyin"). The liturgy received further edits and addendums in later periods, most notably by the monks Zhipan (志磐) and Zongze Cijue (宗賾慈覺) during the Song dynasty as well as the monk Yunqi Zhuhong (雲棲袾宏) during the Ming dynasty.