Ekphrasis in the context of Rhetorical device


Ekphrasis in the context of Rhetorical device

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⭐ Core Definition: Ekphrasis

Ekphrasis or ecphrasis (from the Greek) is a rhetorical device indicating the written description of a work of art. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art." In ancient times, it might refer more broadly to a description of any thing, person, or experience. The word comes from the Greek ἐκ ek and φράσις phrásis, 'out' and 'speak' respectively, and the verb ἐκφράζειν ekphrázein, 'to proclaim or call an inanimate object by name'.

The works of art described or evoked may be real or imagined; and this may be difficult to discern. Ancient ekphrastic writing can be useful evidence for art historians, especially for paintings, as virtually no original Greco-Roman examples survive.

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Ekphrasis in the context of Antipater of Sidon

Antipater of Sidon (Greek: Ἀντίπατρος ὁ Σιδώνιος, Antipatros ho Sidonios) was an ancient Greek poet of the 2nd and 1st centuries BCE.

Cicero mentions him living in Rome during the time of Quintus Lutatius Catulus, and calls him a brilliant epigrammist, sometimes too fond of imitation. His poems, about 75 of which are preserved in the Greek Anthology, are mostly epitaphs and ecphrastic poems. 96 poems in the Greek Anthology are attributed simply to "Antipater", without an indication of whether they are by Antipater of Sidon or the later Antipater of Thessalonica, and it is difficult to identify which are his.

View the full Wikipedia page for Antipater of Sidon
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