Ea (Babylonian god) in the context of "Eridu"

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⭐ Core Definition: Ea (Babylonian god)

Enki (Sumerian: 𒀭𒂗𒆠 EN-KI), also known as Ea (Akkadian: 𒀭𒂍𒀀 E₂-A) was the Mesopotamian god of wisdom, crafts, fresh subterranean waters, magic, and incantations. He was believed to rule the AbzĂ». In Mesopotamian astronomy, he was associated with the stars of the southern band of the sky. Enki’s wife was Damgalnuna, and their children included Nanshe, Asalluhi, Marduk and Enbilulu. His sukkal (attendant deity) was Isimud. Servants of the god included lahmu, kulullĂ», and the Seven Sages.

Enki was first worshipped by the Sumerians of Southern Mesopotamia. The earliest sources associate him with the city of Eridu, which was his main cult center, and regarded as his home. His temple there was the E-AbzĂ». Enki was already a major deity in Sumer at the time of the earliest written sources, and the influence of his cult spread outside of Southern Mesopotamia early on. It is uncertain when Enki was assimilated to Ea, a god whose name is of unknown, but possibly semitic origin. Under the name Ea, Enki was worshipped by the Akkadians, Babylonians and Assyrians. His cult was particularly influential in the Ur III and Old Babylonian Periods, where he became part of a triad at the top of the pantheon consisting of Anu, Enlil and himself. He was incorporated into Hurrian religion as a major god, with identical character and functions as in Mesopotamia. His cult spread into Anatolia, possibly as early as the third millennium BCE, and he became part of the Hittite pantheon. With the rise of Babylon and its patron god Marduk, Ea’s cult gradually lost importance, though he still remained a major god in first millennium BCE Mesopotamia.

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Ea (Babylonian god) in the context of Kish (Sumer)

Kish (Sumerian: Kiơ; transliteration: Kiơ; cuneiform: 𒆧𒆠; Akkadian: Kiơơatu, near modern Tell al-Uhaymir) is an important archaeological site in Babil Governorate (Iraq), located 80 km (50 mi) south of Baghdad and 12 km (7.5 mi) east of the ancient city of Babylon. The Ubaid period site of Ras al-Amiyah is 8 km (5.0 mi) away. It was occupied from the Ubaid period to the Hellenistic period. In Early Dynastic times the city's patron deity was Ishtar with her consort Ea. Her temple, at Tell Ingharra, was (E)-hursag-kalama. By Old Babylonian times the patron deities had become Zababa, along with his consort, the goddess Bau and Istar. His temple Emeteursag (later Ekiơiba) was at Uhaimir.

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Ea (Babylonian god) in the context of KulullĂ»

KulullĂ», inscribed đ’„©đ’‡œđ’‡đ’‡», "Fish-Man", was an ancient Mesopotamian mythical monster possibly inherited by Marduk from his father Ea. In later Assyrian mythology, he was associated with kuliltu, "Fish-Woman", and statues of them were apparently located in the NabĂ» temple in Nimrud, ancient Kalhu, as referenced on a contemporary administrative text.

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Ea (Babylonian god) in the context of Lugal-e

The ancient Mesopotamian myth beginning Lugal-e ud me-lám-bi nir-ğál, also known as Ninurta's Exploits is a great epic telling of the warrior-god and god of spring thundershowers and floods, his deeds, waging war against his mountain rival á-sàg (“Disorder”; Akkadian: Asakku), destroying cities and crushing skulls, restoration of the flow of the river Tigris, returning from war in his “beloved barge” Ma-kar-nunta-ea and afterward judging his defeated enemies, determining the character and use of 49 stones, in 231 lines of the text. Its origins probably lie in the late third millennium BCe.

It is actually named for the first word of the composition (lugal-e “king,” in the ergative case) in two first-millennium copies, although earlier (Old Babylonian) copies begin simply with lugal, omitting the case ending. A subscript identifies it as a “ơirsud of Ninurta” (a ơirsud meaning perhaps “lasting song”) or “zami (praise) of Ninurta” depending on the reading of the cuneiform characters. With 728 lines and arranged on up to 13 tablets, Lugal-e is a poem in which the author (the god Ea according to a Catalogue of Texts and Authors) apparently combined perhaps three disparate myths in one literary composition. There are more than 80 extant exemplars but these show considerable textual variance.

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