Dub music in the context of "Augustus Pablo"

Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer).

In unaccompanied solo performance, basslines may simply be played in the lower register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes.

Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. Often "peaceful" sounding and lacking composition, beat, and/or structured melody, ambient music uses textural layers of sound that can reward both passive and active listening, and encourage a sense of calm or contemplation. The genre evokes an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and some works use sustained or repeated notes, as in drone music. Bearing elements associated with new-age music, instruments such as the piano, strings and flute may be emulated through a synthesizer.

The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, Jamaican dub music and German electronic music, but was prominently named and popularized by British musician Brian Eno in 1978 with his album Ambient 1: Music for Airports; Eno opined that ambient music "must be as ignorable as it is interesting", however, in early years, there were artists that were pioneers in this genre, like Tangerine Dream, Klaus Schulze, Wendy Carlos, Kraftwerk, etc. It saw a revival towards the late 1980s with the prominence of house and techno music, growing a cult following by the 1990s.

Jungle is a genre of electronic music that developed in the 1990s out of the UK rave scene and Jamaican sound system culture. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples and synthesised effects, combined with the deep basslines, melodies and vocal samples found in dub, reggae and dancehall, as well as hip-hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings. Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s.

The Clash were an English rock band formed in London in 1976. Billed as "The Only Band That Matters", they are considered one of the most influential acts in the original wave of British punk rock, with their music fusing elements of reggae, dub, funk, ska, and rockabilly. The band also contributed to the post-punk and new wave movements that followed. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon.

The Clash achieved critical and commercial success in the United Kingdom with the release of their debut album The Clash (1977) and their second album Give 'Em Enough Rope (1978). Their experimental third album London Calling, which was released in the UK in December 1979, earned them popularity in the United States, where it was released the following month. A decade later, Rolling Stone named London Calling the best album of the 1980s. Following continued musical experimentation on their fourth album Sandinista! (1980), the band achieved further commercial success with the release of Combat Rock (1982), which includes the US top-10 hit "Rock the Casbah", helping the album to achieve a 2× platinum certification there.

Drum and bass (D&B), also known as drum 'n' bass (DnB or D'n'B), is a genre of electronic dance music that emerged in the United Kingdom in the early 1990s. It is characterised by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers.

Originating in the UK jungle scene in the early 1990s, drum and bass drew on elements of reggae, dub, hip hop, breakbeat hardcore, techno, and house. By the mid-1990s, it had become one of the most distinctive and technically innovative styles within the broader electronic dance music movement. The style of drum and bass often incorporates an array of influences from other genres including ambient, funk, jazz, soul, rock, and pop. The genre has since developed multiple subgenres and maintains both an underground and mainstream presence worldwide.

Trip hop is a music genre defined as a psychedelic fusion of hip hop and electronica with slow tempos and an atmospheric sound. The style emerged as a more experimental variant of breakbeat from the Bristol sound scene of the late 1980s and early 1990s, incorporating influences from jazz, soul, funk, dub, rap, as well as sampling from movie soundtracks and other eclectic sources.

Pioneering trip hop acts include Massive Attack, UNKLE, Tricky, and Portishead. The term was first coined in a 1994 Mixmag piece about American producer DJ Shadow. Trip hop achieved commercial success in the 1990s, and has been described as "Europe's alternative choice in the second half of the '90s".

In Jamaican popular culture, a sound system is a group of disc jockeys, sound engineers and MCs playing music such as ska, rocksteady, reggae, dub reggae, dancehall and ragga. Sound systems are an important part of Jamaican culture and history, especially with the Windrush generation in Britain. Sound clashes involve crew members from opposing sound systems pitting their DJing and MCing skills against each other in venues or at festivals.