Don Quixote de la Mancha in the context of Salvador de Madariaga


Don Quixote de la Mancha in the context of Salvador de Madariaga

⭐ Core Definition: Don Quixote de la Mancha

Don Quixote, the full title being The Ingenious Gentleman Don Quixote of La Mancha, is a Spanish novel by Miguel de Cervantes. Originally published in two parts in 1605 and 1615, the novel is considered a founding work of Western literature and the first modern novel. The novel has been labelled by many well-known authors as the "best novel of all time" and the "best and most central work in world literature". Don Quixote is also one of the most-translated books in the world and one of the best-selling novels of all time.

The plot revolves around the adventures of a member of the lowest nobility, a hidalgo from La Mancha named Alonso Quijano, who reads so many chivalric romances that he loses his mind and decides to become a knight-errant (caballero andante) to revive chivalry and serve his nation, under the name Don Quixote de la Mancha. He recruits as his squire a simple farm labourer, Sancho Panza, who brings an earthy wit to Don Quixote's lofty rhetoric. In the first part of the book, Don Quixote does not see the world for what it is and prefers to imagine that he is living out a knightly story meant for the annals of all time. However, as Salvador de Madariaga pointed out in his Guía del lector del Quijote (1972 [1926]), referring to "the Sanchification of Don Quixote and the Quixotization of Sancho", "Sancho's spirit ascends from reality to illusion, Don Quixote's declines from illusion to reality".

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Don Quixote de la Mancha in the context of Alonso Quijano

Alonso Quijano (Spanish: [aˈlonso kiˈxano]; spelled Quixano in English and in the Spanish of Cervantes' day, pronounced [aˈlons̺o kiˈʃano]), more commonly known by his pseudonym Don Quixote, is a fictional character and the protagonist of the novel Don Quixote de la Mancha by Miguel de Cervantes.

At the outset of the work (Chapter 1 of Part I) we are informed that there is confusion about what his name is. Some (imaginary) authors, the text says, disagree about whether his name was Quijada ("jaw") or Quesada, although by reasoning ("conjeturas verosímiles") one could arrive at the name Quijana. At this point, Quijano is not even mentioned as a possibility, nor is Alonso, hinting the reader into one of the most notable yet purposefully obfuscated examples of an unreliable narrator. In Chapter 49 of Part I he tells us that he was a direct descendant of Gutierre Quijada. His "real" name of Alonso Quijano is only revealed in the last chapter of Part II, and with the stated purpose of demonstrating the falseness of the spurious Part II of the pseudonymous Alonso Fernández de Avellaneda, in which work the protagonist is Martín Quijada.

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Don Quixote de la Mancha in the context of Don Quixote (Strauss)

Don Quixote, Op. 35 is a tone poem by Richard Strauss for cello, viola, and orchestra. Subtitled Phantastische Variationen über ein Thema ritterlichen Charakters (Fantastic Variations on a Theme of Knightly Character), the work is based on the novel Don Quixote de la Mancha by Miguel de Cervantes. Strauss composed this work in Munich in 1897. The premiere took place in Cologne on 8 March 1898, with Friedrich Grützmacher as the cello soloist and Franz Wüllner as the conductor.

The score is 45 minutes long and is written in theme and variations form, with the solo cello representing Don Quixote, and the solo viola, tenor tuba, and bass clarinet depicting his squire Sancho Panza. The second variation depicts an episode where Don Quixote encounters a herd of sheep and perceives them as an approaching army. Strauss uses dissonant flutter-tonguing in the brass to emulate the bleating of the sheep, an early instance of this extended technique. Strauss later quoted this passage in his music for Le bourgeois gentilhomme, at the moment a servant announces the dish of "leg of mutton in the Italian style". Graham Phipps has examined the structure of the work in terms of Arnold Schoenberg's ideas of 'surface harmonic logic' and 'developing variation'.

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