Don Juan is an English unfinished satirical epic poem written by Lord Byron between 1819 and 1824 that portrays the Spanish folk legend of Don Juan, not as a womaniser as historically portrayed, but as a victim easily seduced by women. Don Juan is a poem written in ottava rima and presented in 16 cantos in which Lord Byron derived the character of Don Juan from traditional Spanish folk legends; however, the story was very much his own. Upon publication in 1819, cantos I and II were widely criticised as immoral because Byron had so freely ridiculed the social subjects and public figures of his time. At his death in 1824, Lord Byron had completed 16 of 17 cantos, whilst canto XVII remained unfinished.
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Don Juan (poem) in the context of Lord Byron
George Gordon Byron, 6th Baron Byron (22 January 1788 – 19 April 1824), was an English poet. He is one of the major figures of the Romantic movement, and is regarded as being among the greatest British poets. Among his best-known works are the lengthy narratives Don Juan and Childe Harold's Pilgrimage; many of his shorter lyrics in Hebrew Melodies also became popular.
Byron was educated at Trinity College at the University of Cambridge. Following graduation, he travelled extensively in Europe, living for seven years in Italy, in Venice, Ravenna, Pisa, and Genoa, and then was forced to flee to England after receiving threats of lynching. During his stay in Italy, he would frequently visit his friend and fellow poet Percy Bysshe Shelley. Later in life, Byron joined the Greek War of Independence to fight the Ottoman Empire, for which Greeks revere him as a folk hero. He died leading a campaign in 1824, at the age of 36, from a fever contracted after the first and second sieges of Missolonghi.
Don Juan (poem) in the context of Don Juan
Don Juan (Spanish: [doŋ ˈxwan]), also known as Don Giovanni (Italian), is a legendary fictional Spanish libertine who devotes his life to seducing women.
The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina. The play includes most of the elements found and later adapted in subsequent works, including the setting (Seville), the characters (Don Juan, his servant, his love interest, and her father, whom he kills), moralistic themes (honor, violence and seduction, vice and retribution), and the dramatic ending in which Don Juan dines with and is then dragged down to hell by the stone statue of the father he had previously slain. Tirso de Molina's play was subsequently adapted into numerous plays and poems, of which the most famous include a 1665 play, Dom Juan, by Molière; a 1787 opera, Don Giovanni, with music by Mozart and a libretto by Lorenzo da Ponte largely adapting Tirso de Molina's play; a satirical and epic poem, Don Juan, by Lord Byron; and Don Juan Tenorio, a romantic play by José Zorrilla.
Don Juan (poem) in the context of Byron
George Gordon Byron, 6th Baron Byron (22 January 1788 – 19 April 1824), was an English poet. He was one of the major figures of the Romantic movement, and is regarded as being among the greatest British poets. Among his best-known works are the lengthy narratives Don Juan and Childe Harold's Pilgrimage; many of his shorter lyrics in Hebrew Melodies also became popular.
Byron was educated at Trinity College at the University of Cambridge. Following graduation, he travelled extensively in Europe, living for seven years in Italy, in Venice, Ravenna, Pisa, and Genoa, and then was forced to flee to England after receiving threats of lynching. During his stay in Italy, he would frequently visit his friend and fellow poet Percy Bysshe Shelley. Later in life, Byron joined the Greek War of Independence to fight the Ottoman Empire, for which Greeks revere him as a folk hero. He died leading a campaign in 1824, at the age of 36, from a fever contracted after the first and second sieges of Missolonghi.