Dirk Bouts in the context of "The Entombment (Bouts)"

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⭐ Core Definition: Dirk Bouts

Dieric Bouts (born c. 1415 – 6 May 1475) was an Early Netherlandish painter. Bouts may have studied under Rogier van der Weyden, and his work was influenced by van der Weyden and Jan van Eyck. He worked in Leuven from 1457 (or possibly earlier) until his death in 1475. His name also appears at various museums and institutions as Dirk Bouts.

Bouts was among the first northern painters to demonstrate the use of a single vanishing point (as illustrated in his Last Supper).

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👉 Dirk Bouts in the context of The Entombment (Bouts)

The Entombment is a glue-size painting on linen attributed to the Early Netherlandish painter Dieric Bouts. It shows a scene from the biblical entombment of Christ, and was probably completed between 1440 and 1455 as a wing panel for a large hinged polyptych. While the altarpiece remains lost as a complete set, it is thought to have contained a central crucifixion scene flanked by four wing panel works half its height – two on either side – depicting scenes from the life of Christ. The smaller flanking panels would have been paired in a format similar to Bouts's 1464–1468 Altarpiece of the Holy Sacrament. The larger work was probably commissioned for export to Italy, possibly to a Venetian patron whose identity is lost. The Entombment was first recorded in a mid-19th-century inventory in Milan, and has been in the National Gallery, London, since its purchase on the Gallery's behalf by Charles Lock Eastlake in 1861.

The painting is an austere but affecting portrayal of sorrow and grief. It shows four female and three male mourners grieving over the body of Christ. They are, from left to right, Nicodemus, Mary Salome, Mary of Clopas, Mary, the mother of Jesus, John the Evangelist, Mary Magdalene and Joseph of Arimathea.

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Dirk Bouts in the context of Distemper (paint)

Distemper is a decorative paint and a historical medium for painting pictures, and contrasted with tempera. The binder may be glues of vegetable or animal origin (excluding egg). Soft distemper is not abrasion resistant and may include binders such as chalk, ground pigments, and animal glue. Hard distemper is stronger and wear-resistant and can include casein or linseed oil as binders.

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