Digital television in the context of Mobile device

A broadcast relay station, also known as a satellite station, relay transmitter, broadcast translator (U.S.), re-broadcaster (Canada), repeater (two-way radio) or complementary station (Mexico), is a broadcast transmitter which repeats (or transponds) the signal of a radio or television station to an area not covered by the originating station.

These expand the broadcast range of a television or radio station beyond the primary signal's original coverage or improves service in the original coverage area. The stations may be (but are not usually) used to create a single-frequency network. They may also be used by an AM or FM radio station to establish a presence on the other band.

The display resolution or display modes of a digital television, computer monitor, or other display device is the number of distinct pixels in each dimension that can be displayed. It can be an ambiguous term especially as the displayed resolution is controlled by different factors in cathode-ray tube (CRT) displays, flat-panel displays (including liquid-crystal displays) and projection displays using fixed picture-element (pixel) arrays.

It is usually quoted as width × height, with the units in pixels: for example, 1024 × 768 means the width is 1024 pixels and the height is 768 pixels. This example would normally be spoken as "ten twenty-four by seven sixty-eight" or "ten twenty-four by seven six eight".

Analog television (or analogue television), is the original television technology, that uses analog signals to transmit video and audio. In an analog television broadcast, brightness, color, and sound are represented by the amplitude, phase, and frequency of the signal.

The strength of an analog signal varies over a continuous range of possible values, meaning that electronic noise and interference may be introduced. Thus, a moderately weak signal becomes snowy and subject to interference. In contrast, picture quality from a digital television (DTV) signal remains good until the signal level drops below a certain threshold (the "digital cliff"), where reception is either no longer possible or becomes intermittent.

An audio coding format (or sometimes audio compression format) is a encoded format of digital audio, such as in digital television, digital radio and in audio and video files. Examples of audio coding formats include MP3, AAC, Vorbis, FLAC, and Opus. A specific software or hardware implementation capable of audio compression and decompression to/from a specific audio coding format is called an audio codec; an example of an audio codec is LAME, which is one of several different codecs which implements encoding and decoding audio in the MP3 audio coding format in software.

Some audio coding formats are documented by a detailed technical specification document known as an audio coding specification. Some such specifications are written and approved by standardization organizations as technical standards, and are thus known as an audio coding standard. The term "standard" is also sometimes used for de facto standards as well as formal standards.

A discrete cosine transform (DCT) expresses a finite sequence of data points in terms of a sum of cosine functions oscillating at different frequencies. The DCT, first proposed by Nasir Ahmed in 1972, is a widely used transformation technique in signal processing and data compression. It is used in most digital media, including digital images (such as JPEG and HEIF), digital video (such as MPEG and H.26x), digital audio (such as Dolby Digital, MP3 and AAC), digital television (such as SDTV, HDTV and VOD), digital radio (such as AAC+ and DAB+), and speech coding (such as AAC-LD, Siren and Opus). DCTs are also important to numerous other applications in science and engineering, such as digital signal processing, telecommunication devices, reducing network bandwidth usage, and spectral methods for the numerical solution of partial differential equations.

A DCT is a Fourier-related transform similar to the discrete Fourier transform (DFT), but using only real numbers. The DCTs are generally related to Fourier series coefficients of a periodically and symmetrically extended sequence whereas DFTs are related to Fourier series coefficients of only periodically extended sequences. DCTs are equivalent to DFTs of roughly twice the length, operating on real data with even symmetry (since the Fourier transform of a real and even function is real and even), whereas in some variants the input or output data are shifted by half a sample.

Digital broadcasting is the practice of using digital signals rather than analogue signals for broadcasting over radio frequency bands (radio broadcasting). Digital television broadcasting (especially satellite television) is widespread. Digital audio broadcasting is being adopted more slowly for radio broadcasting where it is mainly used in Satellite radio.

Digital links, thanks to the use of data compression, generally have greater spectral efficiency than analog links. Content providers can provide more services or a higher-quality signal than was previously available.

The digital television transition, also called the digital switchover (DSO), the analogue switch/sign-off (ASO), the digital migration, or the analogue shutdown, is the process in which older analogue television broadcasting technology is converted to and replaced by digital television. Conducted by individual nations on different schedules, this primarily involves the conversion of analogue terrestrial television broadcasting infrastructure to Digital terrestrial television (DTT), a major benefit being extra frequencies on the radio spectrum and lower broadcasting costs, as well as improved viewing qualities for consumers.

The transition may also involve analogue cable conversion to digital cable or Internet Protocol television, as well as analogue to digital satellite television. Transition of land based broadcasting had begun in some countries around 2000. By contrast, transition of satellite television systems was well underway or completed in many countries by this time. It is an involved process because the existing analogue television receivers owned by viewers cannot receive digital broadcasts; viewers must either purchase new digital TVs, or digital converter boxes which have a digital tuner and change the digital signal to an analogue signal or some other form of a digital signal (i.e. HDMI) which can be received on the older TV. Usually during a transition, a simulcast service is operated where a broadcast is made available to viewers in both analogue and digital at the same time. As digital becomes more popular, it is expected that the existing analogue services will be removed. In most places this has already happened, where a broadcaster has offered incentives to viewers to encourage them to switch to digital. Government intervention usually involves providing some funding for broadcasters and, in some cases, monetary relief to viewers, to enable a switchover to happen by a given deadline. In addition, governments can also have a say with the broadcasters as to what digital standard to adopt – either DVB-T2 ATSC Governments can also require all receiving equipment sold in a country to support the necessary digital 'tuner'.

Digital Video Broadcasting (DVB) is a set of international open standards for digital television. DVB standards are maintained by the DVB Project, an international industry consortium, and are published by a Joint Technical Committee (JTC) of the European Telecommunications Standards Institute (ETSI), European Committee for Electrotechnical Standardization (CENELEC) and European Broadcasting Union (EBU).

Advanced Television Systems Committee (ATSC) standards are an international set of standards for broadcast and digital television transmission over terrestrial, cable and satellite networks. It is largely a replacement for the analog NTSC standard. Like NTSC, ATSC is used mostly in the United States, Mexico, Canada, South Korea, and Trinidad and Tobago. Several former NTSC users like Japan have not used ATSC during their digital television transition, because they adopted other systems like ISDB developed by Japan and DVB developed in Europe, for example.

The ATSC standards were developed in the early 1990s by the Grand Alliance, a consortium of electronics and telecommunications companies that assembled to develop a specification for what is now known as HDTV. The standard is now administered by the Advanced Television Systems Committee. It includes a number of patented elements, and licensing is required for devices that use these parts of the standard. Key among these is the 8VSB modulation system used for over-the-air broadcasts. ATSC 1.0 technology was primarily developed with patent contributions from LG Electronics, which held most of the patents for the ATSC standard.

Integrated Services Digital Broadcasting (ISDB; Japanese: 統合デジタル放送サービス, Tōgō dejitaru hōsō sābisu) is a Japanese broadcasting standard for digital television (DTV) and digital radio.

ISDB supersedes both the NTSC-J analog television system and the previously used MUSE Hi-vision analog HDTV system in Japan. An improved version of ISDB-T (ISDB-T International) replaced the NTSC, PAL-M, and PAL-N broadcast standards in South America and the Philippines. Digital Terrestrial Television Broadcasting (DTTB) services using ISDB-T started in Japan in December 2003, and since then, many countries have adopted ISDB over other digital broadcasting standards.

ISDB-T International, also known in Brazil as Sistema Brasileiro de Televisão Digital (SBTVD; English: Brazilian Digital Television System), is a technical standard for digital television broadcast used in Brazil, Argentina, Peru, Botswana, Chile, Honduras, Venezuela, Ecuador, Costa Rica, Paraguay, Philippines, Bolivia, Nicaragua, El Salvador and Uruguay, based on the Japanese ISDB-T standard. ISDB-T International launched into commercial operation on 2 December 2007, in São Paulo, Brazil.

It is similar to ISDB-T, except it utilizes the H.264 video codec rather than MPEG-2, and replaces BML with Ginga, a middleware supporting Nested Context Language (NCL) and Java-based interactive TV applications.

4K resolution refers to a horizontal display resolution of approximately 4,000 pixels. Digital television and digital cinematography commonly use several 4K resolutions. The movie projection industry uses 4096 × 2160 (DCI 4K). In television, 3840 × 2160 (4K UHD) with a 16:9 aspect ratio is the dominant standard. Many 4K Blu-ray releases of ultrawide films use a letterboxed form of this, keeping the horizontal resolution of 3840 pixels while the effective vertical resolution is about 1600–1620 pixels.

The 4K television market share increased as prices fell dramatically throughout 2013 and 2014.

MPEG-2 (a.k.a. H.222/H.262 as was defined by the ITU) is a standard for "the generic coding of moving pictures and associated audio information". It describes a combination of lossy video compression and lossy audio data compression methods, which permit storage and transmission of movies using currently available storage media and transmission bandwidth. While MPEG-2 is not as efficient as newer standards such as H.264/AVC and H.265/HEVC, backwards compatibility with existing hardware and software means it is still widely used, for example in over-the-air digital television broadcasting and in the DVD-Video standard.

A multichannel television service, also known as simply a television provider, is a type of service provider who distributes television programming to its customers for a subscription fee. Subscription television providers distribute television channels that offer different types of programming, typically including local television stations within their market (including, where applicable, state broadcasters), specialty channels that are distributed solely through multichannel television providers, and pay television services that offer premium content such as feature films and other original programming.

Subscription television services can be distributed to customers through various means, including wireline media such as cable and fiber-optic wire, direct broadcast satellite, and using internet protocols—either over a private network maintained by the provider, or as an "over-the-top" service streamed over the public internet. Equipment is provided to customers in order to receive the service, usually featuring one or more proprietary set-top boxes or some other equipment to decrypt the provided signals. Digital multichannel services typically feature an electronic program guide that can be used to browse available channels, and offer digital video recorders (DVR), which can record programmes to an internal hard drive for later viewing, as well as other interactive features such as access to streaming video services, and other video on demand and pay-per-view services.